It has been a looong time since I made an appearance here. I have been-- as the saying goes-- very busy.
The workload at my place of employment has been exceptionally demanding and sadly vexing of late; and I've taken on a second job, which is thoroughly enjoyable, but it is close to being a full-time job as well. I don't mean to be mysterious, but more on that in a later post, if I ever get around to posting regularly again.
This drawing is my first spare-time drawing in a month. I was thinking about Rubens, and those grand compositions of bulky, writhing bodies and shapes. Not quite bulky enough but I think my intentions come through! Jacked up left hand though.
Pencil, pen and photoshoppery.
July 7, 2009
June 2, 2009
Those Crazy Kids
This illustration accompanied a story by Contra Costa Times writer Jackie Burrell about "sexting." Sexting is catching on with the teen and tween crowds and Jackie's story discusses this trend and some of the potential repurcussions. It's one of those sensitive topics that makes me flinch.
I don't mind sensitive topics. It's professionally satisfying to come up with (hopefully) tasteful ways of illustrating things that most people don't want to see illustrated. Sometimes though, the subject can seem too fraught with perils impolitic, or it is a topic that is a personal turn-off.
Well, when this assignment was pitched I tried to look like I hadn't been listening. Hm? What? Oh, yeah, well, I think... just a sec, I have to run out to my car. Etc.
I didn't have to squirm overmuch because Chuck Todd -- King of the Graphics Department and all around stand-up guy -- said that he had a few ideas for an illustration and would be happy to do it. Whew.
Time passed, I gave it no more thought. Not my assignment, not my problem. And then, one day, there was a workload siege. The department was attacked from all sides by brutish assignments and marauding chores. At the wrong time I slew a rogue project and paused to wipe my brow and clean my blade; for that briefest of moments it appeared I was not doing anything. So, Chuck Todd -- King of the Graphics Department and artful dodger -- turned to me and said "I have no time for this! Here! This is my idea! Quick, man! The deadline, she approaches with shredding claws and tearing teeth!" Or something like that.
I took a quick picture of his thumbnail with the iMac-cam
and made my drawing using Photoshop!
I don't mind sensitive topics. It's professionally satisfying to come up with (hopefully) tasteful ways of illustrating things that most people don't want to see illustrated. Sometimes though, the subject can seem too fraught with perils impolitic, or it is a topic that is a personal turn-off.
Well, when this assignment was pitched I tried to look like I hadn't been listening. Hm? What? Oh, yeah, well, I think... just a sec, I have to run out to my car. Etc.
I didn't have to squirm overmuch because Chuck Todd -- King of the Graphics Department and all around stand-up guy -- said that he had a few ideas for an illustration and would be happy to do it. Whew.
Time passed, I gave it no more thought. Not my assignment, not my problem. And then, one day, there was a workload siege. The department was attacked from all sides by brutish assignments and marauding chores. At the wrong time I slew a rogue project and paused to wipe my brow and clean my blade; for that briefest of moments it appeared I was not doing anything. So, Chuck Todd -- King of the Graphics Department and artful dodger -- turned to me and said "I have no time for this! Here! This is my idea! Quick, man! The deadline, she approaches with shredding claws and tearing teeth!" Or something like that.
I took a quick picture of his thumbnail with the iMac-cam
and made my drawing using Photoshop!
the end
.
May 26, 2009
Surrounded By Cows
This is an illustration for a collection of stories from our readers about bad camping experiences. One of the readers' submissions told about sleeping out under the stars in a field, and upon awakening in the morning they found themselves surrounded by cows! I think that's a great title for an adventure story.
I'm not happy with the composition on this one. It's not well-designed and there are several awkward overlaps in there that flatten it out. Bleh.
As an excuse I offer there was not much time to work on this, although such simple illustrative concepts should be second nature by now. Ah, well. Here is the original quick sketch: (Don't blother clicking on it, it doesn't get any bigger...)
I doodled it quickly on paper and then held it up to the camera on the iMac, and then drew on top of that in Photoshop!
THE END!
I'm not happy with the composition on this one. It's not well-designed and there are several awkward overlaps in there that flatten it out. Bleh.
As an excuse I offer there was not much time to work on this, although such simple illustrative concepts should be second nature by now. Ah, well. Here is the original quick sketch: (Don't blother clicking on it, it doesn't get any bigger...)
I doodled it quickly on paper and then held it up to the camera on the iMac, and then drew on top of that in Photoshop!
THE END!
.
May 24, 2009
I'm back...
This is an editorial illustration that ran in Sunday's Contra Costa Times and several other MediaNews newspapers. Drawn in Photoshop!The column -- by Brewster Kahle for the Washington Post -- considers the potential outcome and effects of an impending ruling in a lawsuit filed by authors and publishers against Google. Google has undertaken a book-scanning project that appears to be stomping all over the toes of copyright laws, and its possible they will make money off of some books and have total control over works that, by law, are not theirs. Google's really getting on my nerves lately.
This is my quick and simple concept for this illustration. My original idea for the "Google-key" was to replicate thier logo with one, long piece of iron bent into that shape. I had only a couple of hours to work on this so it was a compromise for completion. The drawing is alright, I guess-- I had fun drawing the book!
* * * * *
Sorry it's been so long since I've posted -- I hope someone is still out there looking at this once in a while. I've been exceptionally busy at work and pretty burned out by the time I get home; I'm really hating most of my "computer-time" lately. Hopefully, it's just a phase.
I have another silly little illustration to show (I'll probably blog that tomorrow) and I have a personal project in the works that I'm enjoying, so I think I can find some more enthusiasm and pick up the pace around these parts. Stay tuned.
The End
.
April 30, 2009
Goofing Around
A loose doodle. I wanted to practice freestyle landscape Bob Ross style. No reference, that might be why it's not very good.
Well, I did look at a few pictures after it was almost done, searching for some clues on how improve it. I found a little bit of help and started to "fix" it, but I could be here all day doing that. Good 'nuff for the doodleblog.
Well, I did look at a few pictures after it was almost done, searching for some clues on how improve it. I found a little bit of help and started to "fix" it, but I could be here all day doing that. Good 'nuff for the doodleblog.
The ENd
April 25, 2009
Bad Fan Art
I'm going to design the Preview cover at work next week-- that's the weekly entertainment/movie/TV tabloid. Cover story: that Wolverine movie. Not too sure what I'm going to do, but while I thought about it-- and worked on other job duties-- I doodled up a study referencing one of the promo photos.
I set out to do a quick study, pretending I was Frazetta, but I may have taken the rendering too far in places and it's starting to look a little too precious. I stopped before I made it worse.
It would be cool to do a faux movie poster along these lines, but there won't be time for that. I'm leaning toward not using this for the cover, because it doesn't really add anything to the original photo (and I'm embarrassed by that poorly done arm) but I thought it might be okay for show-and-tell here. I haven't painted anything in a long time, so it was fun.
I really want to put him in that brown and orange costume that John Byrne designed, mask and all; and then cover his arms, shoulders and chest with the copius body hair he had back in the day. Hopefully, someday, they'll make a cgi X-Men movie with the characters designed to look exactly like the Byrne and Austin X-Men. The comic geek in me would think that would be ultimate super-hero movie bliss.
I set out to do a quick study, pretending I was Frazetta, but I may have taken the rendering too far in places and it's starting to look a little too precious. I stopped before I made it worse.
It would be cool to do a faux movie poster along these lines, but there won't be time for that. I'm leaning toward not using this for the cover, because it doesn't really add anything to the original photo (and I'm embarrassed by that poorly done arm) but I thought it might be okay for show-and-tell here. I haven't painted anything in a long time, so it was fun.
I really want to put him in that brown and orange costume that John Byrne designed, mask and all; and then cover his arms, shoulders and chest with the copius body hair he had back in the day. Hopefully, someday, they'll make a cgi X-Men movie with the characters designed to look exactly like the Byrne and Austin X-Men. The comic geek in me would think that would be ultimate super-hero movie bliss.
The End.
.
April 24, 2009
Twitter 2
Here is an illustration for a Chuck Barney story; another contribution to the Twitter frenzy. In particular it is a story about celebrity twittery, which is a rather robust topic at the moment. Our story has been on the burner for well over a month but it hasn't made it into the mix until now, so it might not be as cutting edge as it could be but sometimes the crumbling of the cookie happens in this way.
I did another Twitter illustration last year (here) and I toyed with the idea of doing this one in the same style (a sort of cartoony cubism, if you don't feel like clicking the link), but it had been a challenging project. The amount of effort may not show in the final product but I took an improvisational approach to it and there was a lot of searching and erasing to do before I came to the happy end (I really enjoyed that one.)
When I found an afternoon to spend on this illustration I decided to do it in Illustrator. Why? I don't know, I don't really care much for Illustrator as a drawing tool. I haven't worked with it enough to be able to impose my will on it. I feel like I spend most of my time trying to figure out how to undo what I just did on accident; but I wanted to achieve the flavor of Twitter's design style and I decided that could be done more easily with vector art, and I had time to wrestle with it. So what the heck1
I kept it simple, mostly just circles and ovals. It took a while to create a bird that looked like a bird but once I got there it was pretty easy. It was just like moving little cutouts around on a table. I did several layouts and gave the page designer 3 or 4 options to work with. This is the one that made it.
I didn't have the word balloons around the photographs at first, so it kind of looked like the big bird was vomiting celebrity photographs onto the smaller birds. Not a totally inappropriate visual interpretation, but probably too obvious to be subtly funny.
In another display of obviousness, I turned the eye of the large bird to a star to set it apart as the celebrity, leaving the other birds with simple dots for eyes. I remember reading something about a simple dot being used as a symbol for the common man. Was is Dostoyevsky? Nietzsche? I know that Woody Allen used that symbolism in "Crimes and Misdemeanors," but I forget where it originated. (A quick google didn't give me an easy answer-- that's all the research I'm up for at the moment.) Anyway, it works as a good incidental but probably unimportant use of symbolism, adding a deeper, pretentious layer of meaning to what seems, at first, a rather pedestrian composition. I'm reaching, I know.
So, here's the latest thing. It does not look like something that I would do, which I take as a sure sign I'm not in control of the tools I'm using.
I did another Twitter illustration last year (here) and I toyed with the idea of doing this one in the same style (a sort of cartoony cubism, if you don't feel like clicking the link), but it had been a challenging project. The amount of effort may not show in the final product but I took an improvisational approach to it and there was a lot of searching and erasing to do before I came to the happy end (I really enjoyed that one.)
When I found an afternoon to spend on this illustration I decided to do it in Illustrator. Why? I don't know, I don't really care much for Illustrator as a drawing tool. I haven't worked with it enough to be able to impose my will on it. I feel like I spend most of my time trying to figure out how to undo what I just did on accident; but I wanted to achieve the flavor of Twitter's design style and I decided that could be done more easily with vector art, and I had time to wrestle with it. So what the heck1
I kept it simple, mostly just circles and ovals. It took a while to create a bird that looked like a bird but once I got there it was pretty easy. It was just like moving little cutouts around on a table. I did several layouts and gave the page designer 3 or 4 options to work with. This is the one that made it.
I didn't have the word balloons around the photographs at first, so it kind of looked like the big bird was vomiting celebrity photographs onto the smaller birds. Not a totally inappropriate visual interpretation, but probably too obvious to be subtly funny.
In another display of obviousness, I turned the eye of the large bird to a star to set it apart as the celebrity, leaving the other birds with simple dots for eyes. I remember reading something about a simple dot being used as a symbol for the common man. Was is Dostoyevsky? Nietzsche? I know that Woody Allen used that symbolism in "Crimes and Misdemeanors," but I forget where it originated. (A quick google didn't give me an easy answer-- that's all the research I'm up for at the moment.) Anyway, it works as a good incidental but probably unimportant use of symbolism, adding a deeper, pretentious layer of meaning to what seems, at first, a rather pedestrian composition. I'm reaching, I know.
So, here's the latest thing. It does not look like something that I would do, which I take as a sure sign I'm not in control of the tools I'm using.
The End.
April 20, 2009
Yawn. More Heads.
Here are a few more head doodles. I think I'm really digging on the top-left's hairstyle/beardstyle, so much so that I've drawn it twice now (see yesterday's post.) Maybe I'll hide the razor for a few months and see if I can get that look going in the real world. It'll be a big hit with all the cool kids, for sure!I've had a very busy Jan-April, and although I've managed to throw a few little drawings and works up on this blog, I'm determined to do some work with a bit more meat to it. Heads are fun but they don't really do much, do they? I'll see about cranking out some full-figure stuff and maybe even some backgrounds. You know, real drawing-- not this weak doodleshtuff I've been tossing around. S'fun tho.
Pencil, brush and P-shop colors!
The End.
.
April 18, 2009
April 11, 2009
Crust Prevention
There is not much time for talk, as I am about to run off to work, but I had to throw something new up here. April has been very busy and I haven't found the time for drawing. I'm taking this moment to stir the stagnant waters of the puddle that is this blog, just to keep the crust from forming around the edges.Here are a few heads. They're not very good. They're all I've got to show. More soon. I hope.
THE END
April 3, 2009
Surfing Thing
This is a graphic that ran in the San Mateo County Times last week. I worked with reporter Julia Scott (always a pleasure) who wrote the text and a related story. This is more of a narrative graphic than most I work on, and these are a lot of fun to put together. Newspaper graphics routinely require the utmost speed but it was held for a couple of days, giving me the opportunity for extra craftsmanship.
This isn't the final version-- there were a couple of tweaks and corrections to the text, as I understand it-- but this is the only copy I have with me right now. Close enough!
This isn't the final version-- there were a couple of tweaks and corrections to the text, as I understand it-- but this is the only copy I have with me right now. Close enough!
THE END
.
.
March 30, 2009
Just Heads Today
March 27, 2009
There's One In Every Crowd
This is the final version of the drawing that will be running Sunday on the A&E section front-- I previewed a few heads in a previous post with different coloring. Click the picture for a big ol' version. Yow. I should scale that down. Eh, too much work.
I began work on this, as usual, by roughing in shapes in Photoshop. Wanting a very clean look, I took those roughs into Illustrator to "ink" them. Then I dragged the characters back into photoshop to arrange them and to color them.
...Other work obligations appeared and demanded my attention, and I knew I was not going to make it if I didn't start cutting corners, so the final few characters I drew quickly in photoshop and simply left them there, tightening them up as best I could.
...There were a few unfinished and unresolved design problems at the very end, but what can you do? The harried, final push was spent smooshing things around and coloring in the awkward spots in an attempt to make it look like it was all planned that way.
...It would have been great if I could have done a couple of more rows on top and to the side-- eh, but that's just because drawing the characters was so much fun.
I began work on this, as usual, by roughing in shapes in Photoshop. Wanting a very clean look, I took those roughs into Illustrator to "ink" them. Then I dragged the characters back into photoshop to arrange them and to color them....Other work obligations appeared and demanded my attention, and I knew I was not going to make it if I didn't start cutting corners, so the final few characters I drew quickly in photoshop and simply left them there, tightening them up as best I could.
...There were a few unfinished and unresolved design problems at the very end, but what can you do? The harried, final push was spent smooshing things around and coloring in the awkward spots in an attempt to make it look like it was all planned that way.
...It would have been great if I could have done a couple of more rows on top and to the side-- eh, but that's just because drawing the characters was so much fun.
THE END
.
.
March 24, 2009
Newspaper Illo That Didn't Make It
This illustration was set to run front page on the Sunday that just passed, March 22, but breaking news took top priority, and rightly so. Four Oakland police officers were killed in the line of duty of Saturday night, and there's not much to say about such a horror. Since it probably won't be used in the paper any time soon, I thought I'd share this here. Scroll down a couple posts to see my first rough for this.
The End.
March 19, 2009
200!
(To be read aloud, preferably in a style reminiscent of Charlton Heston or William Shatner; dramatic but with a hint of ham...)
The great event is over and the crowds are melting out of the stadium, flowing in streams to the parking lot, swirling in eddies of automobiles and escaping into the currents of freeways, expressways, boulevards and roads. Eventually, in tiny groups, they coagulate in their homes and for a long time they will carry with them the glow and the specialness of what they witnessed. Every once in a while someone will say: "That was quite the thing to see, wasn't it?" They will nod and smile and remember the glories.
...Back at the stadium, up in the stands, the clean-up crew has finished. They sit on the aluminum benches, they lean on the iron railings, they light cigarettes and they talk about the things that are important to them. One of them stops in the middle of a sentence, squints and with a baffled expression quietly says: "Whut the Hell?" He points down to the field..
...And there, running on the oval racetrack-- not loping gracefully but moving forward awkwardly, pounding the ground with his heavy boots-- is a solitary figure. He does not belong there on the track, and it's more than the boots that give him away. He is not outfitted in current fashion but rather in an outdated manner that he thinks is the current fashion. His socks are pulled up to the knee. His shorts are cut too high and his legs are not the legs of someone accustomed to running. Without consideration for aerodynamics his legs and arms are brazenly left unshaven. You can hear his keys jingling in his pocket.
...The clean-up crew watches silently as the man rounds the final bend, weaving in and out of the outside lane as he does so. He breathes heavily-- frighteningly heavily-- and each breath is accentuated by a vocalization that is part moan and wheeze and gasp. He is damp with sweat and it is the greasy kind of sweat laden with the oils of too many croissants, too many pizzas; it beads and clings to him as though he is basted with exotic butters.
...The runner gulps and groans and thumps down the final stretch. Excitement grows in his breast and he thinks "Turn it on! Time for the final burst of speed!" His arms begin to swing in wider arcs, his breathing sounds increase and become falsetto shrieks, his knees rise higher and pump faster... but for all the show his speed stays about the same.
...Time passes, and finally he crosses over the faded, trampled chalk of the finish line. He staggers and he stumbles to a wobbly but standing halt. He tries to jump and throw his arms up in celebration but he almost falls. He bends over, hands on knees, eyes shut, he is praying for the pain to go away.
..."Hey," say one of the janitors. "Hey, you! You're not supposed to be down there!"
...The runner sees the people in the stands, but the rapid heartbeat pummels his eardrums from the inside and drowns out their cheers. He points at them and whoops and does a little victory dance that gives the impression one of his legs is much shorter than the other. "Whoo!" He yells. "Whoo! 200, baby! 200!"
..."What'd he say?" asks one. "Fukif I know," says another. "Hey! What are doing? I'm going to call the cops if you don't get the Hell out of here!"
..."YES!" the runner enthusiastically declares, triumphantly accepting the adulation of his fans. "200 blog posts! 200! YES!"
...One of the fans pulls out a cell phone and starts dialing.
The End
.
.
.
.
March 18, 2009
Little Something
This is the first draft of an illustration for my job. It's been a tough few days-- busy at work and busy at home. I'm suffering from a sense of work burn-out and I have a fierce headache. I feel a day-long nap coming on which I'll try to stall until the weekend-- so this picture has unintentional self-portrait overtones. Undertones. Or something.Okay, enough distraction. Back to work.
March 17, 2009
Cartoon Heads!
Here are some silly heads. I'm making them for an illustration for work. The project involves a crowd scene so I've got to come up with a small slew of faces; I pulled a few aside and colored them this morn just for kicks.
.
THE END.
.
March 16, 2009
Little Drawing...
This morning I aimlessly drew a head and a torso and inked it. I liked her scars and thought I'd lay a little color on her. She comes across a fairly grim, I suppose, which is unfortunate. I think she smiles easily and has great personal charm; I have caught her here wearing a rare mirthless expression.
No point to this one, just a doodle.
No point to this one, just a doodle.
THE END
March 10, 2009
What a Rube!
Last week, I drew this for one of Dan Borenstein's opinion pieces that ran in the Contra Costa Times. In the article he compared the complexities of California's public finances to a Rube Goldberg device, so I was asked to fill up some space with a Goldbergian cartoon....Rube Goldberg was brilliant. His inventions -- however ludicrous -- make sense. Brilliant, ludicrous and sensible are not my specialties. Public finances are also outside my realm of understanding -- with a smattering of coins in my pocket I have to drop all of them into the soda machine and press the button before I know for sure whether or not I have enough for a Coke.
...Instead of cleverness I went for a simple, nonsensical cartoon. Quarter to dime to nickle to penny -- I know that's how my bank account works. I tossed in a little Arnold, too, just because he is Governator and when he's left office I'll wish that I drawn many more Arnolds. I'm not really an editorial cartoonist but what an amazing windfall he has been for that profession. We can only hope the rules will be changed and he can run for president. What great fun that would be. OH! Perhaps Palin could be V.P.! God, let it be so!
...Eh. Forget it. Bad idea. But if it happens I know we can really work with it.
THE END
.
February 28, 2009
Found Art
While going through some old folders on a old backup disc I found this little drawing:
Consulting the creation date on the file it appears that this was completed in November of 2004. I do remember this ran with a historical piece which was about a game where only ONE fan showed up. I don't recall if it was a pro game and I don't recall when the game took place-- I have a feeling it was before the Babe played but I couldn't say for sure.
....I haven't found a hard copy of this in my stack of yellowing paper clips and I don't know how it was used in the paper. This is one of those moments where I've found something I would never have thought about again and I don't have a vivid memory of doing it. There is a sense when I look at it that it could be someone else's work. Kinda cool when that happens.
....I'm intrigued by the artist's use of color. There is a dreamy quality to it that I haven't seen in his other work. I wonder how he did it!
Consulting the creation date on the file it appears that this was completed in November of 2004. I do remember this ran with a historical piece which was about a game where only ONE fan showed up. I don't recall if it was a pro game and I don't recall when the game took place-- I have a feeling it was before the Babe played but I couldn't say for sure.....I haven't found a hard copy of this in my stack of yellowing paper clips and I don't know how it was used in the paper. This is one of those moments where I've found something I would never have thought about again and I don't have a vivid memory of doing it. There is a sense when I look at it that it could be someone else's work. Kinda cool when that happens.
....I'm intrigued by the artist's use of color. There is a dreamy quality to it that I haven't seen in his other work. I wonder how he did it!
THE END!
g
February 21, 2009
February 11, 2009
Head Doodles!
Just goofing around and drawing heads freestyle-- no idea what they're going to look like until they happen, if that makes any sense.
HB pencil, "inked" with a 6B pencil, and sloppily shaded with the HB again. Colored in photoshop!
HB pencil, "inked" with a 6B pencil, and sloppily shaded with the HB again. Colored in photoshop!
THE END!
.
.
February 10, 2009
Spring Training
Here is a photoshop drawing for a story about how baseball seems to have it easier than other sports when it comes time for training camp.
....Football players have their Two-a-days, weight training, blocking sleds, ice baths, day after day after day. Basketball players practice constantly; seemingly endless drills and scrimmages.....Baseball's spring training is tame by comparison. Players chat with fans, shag flies in the outfield, slowly and leisurely getting into game shape-- whatever that means to a baseball player.
... It's kind of a soft, cute illustration, I admit. I had plenty of warning that the assignment was coming, and I should have come up with something meatier, if you know what I mean.
....Alas, I made no meaningful headway until the day before it was due. I hadn't spent quality time with the concept so I ad-libbed it a bit. Turned out okay, I guess.
....Had a lot of fun drawing the characters! Runs Wednesday, February 11th in most of the SF Bay Area MediaNews newspapers! Get a copy! Bound to be a collector's item for sure!
THE END
.
February 6, 2009
Work In Progress: Norman Finch
I'm trying to finish a short comic I was working on a few years ago. I did a full-color, half-page installment every week or two for a few months and posted it on my website, and I had a good time with it. I composed it entirely on the computer, from story to rough to final, in an attempt to teach myself how to go about doing such a thing.
...I stopped working on it because of a long-term freelance job, which was followed by a huge increase in commute time at my regular job. This was back in the days before the blog and the social network site had become ubiquitous-- and I wasn't even sure what that was all about-- so not very many (if any) people saw it. I don't think anyone ever responded to my plea at the end of each installment to email their thoughts on the project. It was disappointing that nobody said anything. And it's a pretty dull story to draw-- there are a lot of talking heads; so that, too, hastened the inevitable loss of interest.
...I've held onto the idea of starting it up again when I felt I could generate the momentum to finish it. A few months ago I decided that I'd try to complete this and another short project to include in a comic that I could show at WonderCon. Well, illness and accident destroyed all of January and I probably won't get it done in time, but I'm still trying to ride that good intention.
...Here's the panel I did yesterday morn! I'll post the whole thing at some point, or make a pdf available with a cover and all that stuff. I might make a little book, too.
...I stopped working on it because of a long-term freelance job, which was followed by a huge increase in commute time at my regular job. This was back in the days before the blog and the social network site had become ubiquitous-- and I wasn't even sure what that was all about-- so not very many (if any) people saw it. I don't think anyone ever responded to my plea at the end of each installment to email their thoughts on the project. It was disappointing that nobody said anything. And it's a pretty dull story to draw-- there are a lot of talking heads; so that, too, hastened the inevitable loss of interest.
...I've held onto the idea of starting it up again when I felt I could generate the momentum to finish it. A few months ago I decided that I'd try to complete this and another short project to include in a comic that I could show at WonderCon. Well, illness and accident destroyed all of January and I probably won't get it done in time, but I'm still trying to ride that good intention.
...Here's the panel I did yesterday morn! I'll post the whole thing at some point, or make a pdf available with a cover and all that stuff. I might make a little book, too.
The End.
.
February 4, 2009
Cute Today!
January 31, 2009
Some Head Doodles
Four heads drawn very quickly, scanned as rapidly as the scanner can scan, and colored at a blistering pace.
....I seem to chicken out when it comes to aggressively distorting the female face. I will try to crank that up a notch or two the next time.
....I seem to chicken out when it comes to aggressively distorting the female face. I will try to crank that up a notch or two the next time.
THe END.
j
j
January 30, 2009
Covert Sketchery
Just for fun, here's a swift little scribble from a meeting at work yesterday. Yes, I was paying attention.
...Colored in P-shop this morn to make it presentable.
...Colored in P-shop this morn to make it presentable.
January 29, 2009
A Pox On January!
January 2009 has been a month of agony, illness, uncertainty, outrage, frustration, disaster and disappointment. None of these aggravations have been mortal, but January has borne a chilly moon-full of trial and torment.
.....I'm not superstitious. There are no such things as "bad" days, weeks, years, and so on. Mondays? Pfft. Friday the 13th? Please. Don't start. Claptrap, I say. Each moment we experience is an individual; an individual with the potential for a personality and character of it's own. Immediate change is possible at all times; from worry can come confidence and a moment of bliss can be thrown over by anguish as the eye blinks. Peculiar clusterings of good times and bad times are inevitable occurrences due to chance and personal momentum. No more than that.
.....But.
.....Last year, 2008, because of illness and financial stresses, January took on the shape of a ruffian and a scoundrel, bruising my health, battering my optimism, taking my lunch money.
.....January of 2009 has been a villain of similar character, so much so that in the search for answers to the unanswerable my shell-shocked brain has grasped but one common trait: The one responsible must be the miscreant, January. I begin to believe that evil blossoms in the foul winds of the old year gasping its last breath over the transom.
.....Once indifferent to such fanciful anxieties, now I cringe when I lift the cover on a new calendar. When February 1 appears I will begin the 11 month countdown to the return of the cold and club-wielding mob of days that threaten to tread 31 times upon the unblemished face of the new year.
....See? January! Big jerk!
The only thing I've doodled and colored is this uninteresting and weak thing. It was a "cute" little scribble but now it is like a tiny clay sculpture I tried to pound into shape with an iron mallet. I'm not proud of it but there is nothing else.
So, here is to February, perhaps it can be a month of positive energies and purification. Last year, he was the thug henchman of January, picking up my wallet and making sure that my foe had not missed anything; but February is the tiniest and most inconsistent of months. I am not intimidated. I will try to stare him down.
.....I'm not superstitious. There are no such things as "bad" days, weeks, years, and so on. Mondays? Pfft. Friday the 13th? Please. Don't start. Claptrap, I say. Each moment we experience is an individual; an individual with the potential for a personality and character of it's own. Immediate change is possible at all times; from worry can come confidence and a moment of bliss can be thrown over by anguish as the eye blinks. Peculiar clusterings of good times and bad times are inevitable occurrences due to chance and personal momentum. No more than that.
.....But.
.....Last year, 2008, because of illness and financial stresses, January took on the shape of a ruffian and a scoundrel, bruising my health, battering my optimism, taking my lunch money.
.....January of 2009 has been a villain of similar character, so much so that in the search for answers to the unanswerable my shell-shocked brain has grasped but one common trait: The one responsible must be the miscreant, January. I begin to believe that evil blossoms in the foul winds of the old year gasping its last breath over the transom.
.....Once indifferent to such fanciful anxieties, now I cringe when I lift the cover on a new calendar. When February 1 appears I will begin the 11 month countdown to the return of the cold and club-wielding mob of days that threaten to tread 31 times upon the unblemished face of the new year.
....And, at this juncture -- pausing to check my email -- I have just discovered that my employer is enforcing a mandatory 40-hour furlough, without pay. This is a desperate measure to try to avoid layoffs, although it is no guarantee that layoffs will not follow.
....I am living in the armpit of the Newspaper Industry as the electric paddles are pressed to the corpse's chest. I really need to find a new career.....See? January! Big jerk!
* * * * *
b
That is why I haven't drawn much or posted anything, as I have been burdened by worry, discomfort and misfortune. I'm okay, I'm feeling good and I'm not even that bummed out, but Jeez! Wotta crappy month!b
The only thing I've doodled and colored is this uninteresting and weak thing. It was a "cute" little scribble but now it is like a tiny clay sculpture I tried to pound into shape with an iron mallet. I'm not proud of it but there is nothing else.So, here is to February, perhaps it can be a month of positive energies and purification. Last year, he was the thug henchman of January, picking up my wallet and making sure that my foe had not missed anything; but February is the tiniest and most inconsistent of months. I am not intimidated. I will try to stare him down.
The End.
January 9, 2009
Doodle
December 27, 2008
December 23, 2008
Two Illos
Last week I created two illustrations in spite of the relentless flow of my regular duties. I could have declined one of the assignments-- and maybe I should have-- but it's been nearly two months since I was able to draw or paint something for the paper. I fell prey to greedy optimism and I committed to them both. Two months is long time of dull map-making and chart-tweaking with no drawing for relief....Ahem. That is to say, charts & maps are fine and necessary and maybe even respectable duties for a newspaper graphicker-- I perform those little works of art all of the time-- but I'm passionate about drawing when I get the chance.
...I confess that each of these illustrative efforts suffers from "first idea syndrome"-- this problem can occur when I read the synopsis of the story or the topic, get an idea for an illustration, and doggedly draw that idea as it first appeared, with no refinements, no growth, no pruning. Sometimes it's not even a fully formed idea; it's the artistic equivalent of a flinch, the result of striking a rubber mallet to the kneecap of the muse.
...So, consider the picture above. The story my painting attempts to illuminate opined that there are too many college bowl games. Once, there were but a few, now every team ends up playing in a bowl game sponsored by weed-eaters, potato chips, restaurant chains, what-have-you.
...The instant I read the story's summary I thought of one of those toy-filled gumball machines full of those little plastic helmets, but in my vision those helmets had bowl logos on the side. The quiet message implied in this concept is "bowl games are plentiful and cheap and probably mostly meaningless." After more careful consideration I suppose the connection is dubious.
...Too late. I jumped into the work with requisite haste. Within two or three hours I had the machine painted, the glass effect figured out-- not to my satisfaction but close enough so that I could "fix it later"-- and I roughed in several footballs, choosing their simple shapes over what would have been a much more labor intensive depiction of little plastic helmets.
...Regular duties demanded my attention and so this fell to the wayside for several days. In spare minutes I sought out bowl logos and experimented with ways of getting them to look like they were on the surfaces of the balls (I never really figured that one out, so don't look too closely.)
The next drawing goes with a front page centerpiece about the wiles, stratagems and possible compromises of principles and dignity people are willing to suffer in order to attend Obama's inauguration. The initial creative spontaneous reactive conceptual blurt? "A crowd of hands reaching for the golden ticket..."...Bleh. Not great.
...I started working on it, hoping that a more inspired solution would emerge. I'm still stumped. The page designer needed a size and shape a couple of days before it was due, so I quickly roughed an arrangement very similar to the final.
...As I made my way through the week, I refined the rough, redrawing a few fingers, moving the hands around, and that was about it. I wasn't able to really sink my teeth into it. If I were to do it again I wouldn't go the same route with realistically drawn hands, perhaps a more graphic treatment would seem less creepy-- as someone commented, they do look like hands reaching from the grave. Zombies for Obama. (Ooh! I'd love to do that illustration!)
...The weight of the work-week dog-piled any feeble hope I may have had for getting more quality time with these poor illustrations. After the initial push at the beginning of each, I doubt that I was able to find an hour alone with either of them until the final three hours on Friday, when I scrambled to get both of them into presentable shape.
The End
n
December 15, 2008
A few character doodles
Drew these back in November, inking the super-fellow earlier this month. The guy on the left pertains to the steampunk painting I've been procrastinating on. The other two were exercises in putting off working on the steampunk painting. I spent a quiet insomnia hour (or so) coloring them.
The End.
,
December 11, 2008
Art Slump
I've been in an art slump. It happens now and then. It's a bummer. I have a few things I want to work on but the job and the commute are in full swing, battering the desire to spend "free time" sitting in front of the blank page.
...I doodled this the other night, and there's nothing to it. No story. Nothing else. Probably never will be.
...I was just trying to jump start the engines. Didn't work. Here I sit, underneath the carport, dreaming of the open road...
...I doodled this the other night, and there's nothing to it. No story. Nothing else. Probably never will be.
...I was just trying to jump start the engines. Didn't work. Here I sit, underneath the carport, dreaming of the open road...
The End
p.s. I don't mean to seem sad. Things are okay. Just blah. You know?
.
December 3, 2008
More Steampunkery
Long time no post! I took a brief computer hiatus in regards to drawing on the computer-- all other computer activity was at the usual high-level-- to give my wrist and shoulder a rest. Going to work and grinding out 9-10 hours on the tablet and then coming home to paint, sitting in the same pose, can bring about serious discomfort if I don't ease off now and then.
...I'm still committed to the Steampunk Legend project although I haven't done much with it. Here is a sample of the little progress I have made, and I hope so be able to show more advancement soon... although I do have a lot to do this week.
...This is a study for the design of the Black Knight. I'm not yet completely sold on the composition of the final painting so this may change drastically.
...I'm still committed to the Steampunk Legend project although I haven't done much with it. Here is a sample of the little progress I have made, and I hope so be able to show more advancement soon... although I do have a lot to do this week. ...This is a study for the design of the Black Knight. I'm not yet completely sold on the composition of the final painting so this may change drastically.
The End.
.
p.s. The idea here is he's on tracks, like a train. Sure, it limits his mobility, but it increases his coolness factor. I think.
November 18, 2008
Steampunk Legend!
I've jumped into the "Steampunk Myths and Legends" project at the CGTalk forums. I'm doing a painting based on "Sir Owain and the Black Knight." That's a story I read long ago, and I thought that the idea of a Steampunk Black Knight would be fun to play with. (My thread here.)
I did a quick search for the story on the web and I found a few links that almost support the story as I remember it. Truth to tell, all that I remember is Sir Owain defeated the Black Knight and got lost in the Black Knight's castle searching for The Chalice. Well, that's not quite the way story seems to go (although there are probably several versions, as there often are when it comes to the old legends) but the part I'm focusing on-- Sir Owain confronting the Black Knight-- seems not to be affected by my errant recollections.
...The Chalice doesn't seem to be mentioned anywhere! Oh, well.
...These are my first roughs, and I'm still searching for a good direction. There is another rough I'm working on but it's not quite ready. I have a new take on the Black Knight character which I'm liking and more ideas are flowing from that. Update soon
I did a quick search for the story on the web and I found a few links that almost support the story as I remember it. Truth to tell, all that I remember is Sir Owain defeated the Black Knight and got lost in the Black Knight's castle searching for The Chalice. Well, that's not quite the way story seems to go (although there are probably several versions, as there often are when it comes to the old legends) but the part I'm focusing on-- Sir Owain confronting the Black Knight-- seems not to be affected by my errant recollections.
...The Chalice doesn't seem to be mentioned anywhere! Oh, well.
...These are my first roughs, and I'm still searching for a good direction. There is another rough I'm working on but it's not quite ready. I have a new take on the Black Knight character which I'm liking and more ideas are flowing from that. Update soon
The End
November 13, 2008
Desperation Post
I haven't had the opportunity to do a thing the past few days! Frustrating! I'm busy at work this week and had a harrowing time of it last week (I survived the latest round of layoffs, which is -- at best -- a temporary relief, but any hope for a brighter future as an artist/graphic journalist is a moth-eaten, battered, burnt-faced, one-eyed, legless, featherless hope. Don't get me started on that!)
...I had been doing well, BLOGically speaking, and to find that I have dramatically fallen off my pace has brought on a small panic. I am working on something this morning, but it's too hideous to share at the moment. So, I've looked in the archive for something that is marginally presentable. Thus:
This is a photoshop study of a Rubens painting from about 4/5 years ago. It appears I had recently discovered the texture feature and laid it on pretty thick-- I tweaked it a little, as best as I could, to tone down the enthusiasm on that; otherwise I didn't mess with it.
Newer stuff, soon. I hope.
...I had been doing well, BLOGically speaking, and to find that I have dramatically fallen off my pace has brought on a small panic. I am working on something this morning, but it's too hideous to share at the moment. So, I've looked in the archive for something that is marginally presentable. Thus:
This is a photoshop study of a Rubens painting from about 4/5 years ago. It appears I had recently discovered the texture feature and laid it on pretty thick-- I tweaked it a little, as best as I could, to tone down the enthusiasm on that; otherwise I didn't mess with it.
Newer stuff, soon. I hope.
THE END
.
.
November 9, 2008
Girls and Robots!
It can be fun to take a quick, dumb sketch and spend way too much time polishing it up-- and it was.
...I do most of my work in a panicky rush. On the job-- even if there appears to be plenty of lead time on an illustration assignment-- other projects and the daily grind destroy the cushion, leading me to frantic finish after frantic finish. At home, weekend chores and the accursed commute can make a fragmented wreck of my art-time-- I seem to finish most of my "for fun" drawings in haste before setting off to work.
...With the chosen theme of "Girls and Robots", I did the black and white sketch in just a few minutes. I scanned it, and I was going to color it simply and let it go, but I started rendering his head and I was swept up in the challenge of the thing. I decided to commit a couple hours to it and just have fun.
...I wasn't terribly creative with the original drawing of the girl, and I was considering erasing her out of the picture; but, as I began fleshing in her legs, I started liking her better. I thought of her as a plastic action figure. She can bend slightly at the waist, and her arms and elbows can bend. I put a seam around her neck so she could turn her head, probably all the way around. It made her more interesting to me than she was.
...I do most of my work in a panicky rush. On the job-- even if there appears to be plenty of lead time on an illustration assignment-- other projects and the daily grind destroy the cushion, leading me to frantic finish after frantic finish. At home, weekend chores and the accursed commute can make a fragmented wreck of my art-time-- I seem to finish most of my "for fun" drawings in haste before setting off to work.
...With the chosen theme of "Girls and Robots", I did the black and white sketch in just a few minutes. I scanned it, and I was going to color it simply and let it go, but I started rendering his head and I was swept up in the challenge of the thing. I decided to commit a couple hours to it and just have fun....I wasn't terribly creative with the original drawing of the girl, and I was considering erasing her out of the picture; but, as I began fleshing in her legs, I started liking her better. I thought of her as a plastic action figure. She can bend slightly at the waist, and her arms and elbows can bend. I put a seam around her neck so she could turn her head, probably all the way around. It made her more interesting to me than she was.
The End.
November 7, 2008
A doodle!
Quick little character sketch. Any resemblance to actual people is cool, but probably coincidental.
l
h
Pencil, brush, pen, p-shop.The End.
;
November 6, 2008
Brute, Ironjaw, The Bat-Man
Did four quick drawings yesterday and colored two of them just now. Pencil roughs and brush inks. Some pen-work thrown in there after the ink dried.
I've been picking up cheap copies of the ATLAS line of comics from the early 70's. There's some terrible stuff in there and some terribly GREAT stuff. Too bad the company didn't make it-- then we'd all know who The Brute and Ironjaw were.
I've been picking up cheap copies of the ATLAS line of comics from the early 70's. There's some terrible stuff in there and some terribly GREAT stuff. Too bad the company didn't make it-- then we'd all know who The Brute and Ironjaw were.
The End.
,
November 4, 2008
The Green Guide Revisited
I drew this back in April; it's a goofy little illustration I did in a rush to fill an empty page in "The Green Guide" special booklet we published way back then. ...I've had this drawing in draft mode since April and lost track of it. I wasn't very fond of it and I couldn't think of anything nice to say about it, I suppose. It's been buried, and maybe I should leave it there, but several days have passed since I've posted anything and I'd like to keep my little hot-streak going.
...This is one of those "Find 10 things wrong with this picture" kind of things, but it might not have been 10 things and I don't remember what they were. I'm pretty sure it was about environmental faux pas found around town in Berkeley but I'd probably embarrass myself by trying to list them.
...Back on track with newer stuff, soon.
The End.
.
October 31, 2008
Happy Halloween!
This is the cover for this week's "Preview" section. I put this together in less than a shift in Photoshop. I like the rough-hewn quality. I didn't have to do any design here-- purely a stolen image-- so I was able to stand back and hurl paint at the canvas. Good fun for me.
... The topic?: Horror movies you might want to watch during this, our most bizarre of "holidays."
...Several of our writers picked their top five horror flicks, but I'll just vouch for my favorite:
1. Frankenstein! Can't beat the best monster movie ever! If you can pretend you've never seen it before, and if you try to ignore its pop-culture pervasiveness (is there a more famous image than Karloff's monster?); if you can get into character, if you can method act and grasp the the mind-set that people had, in 1931, when they walked into a dark theater to see a black and white horror film for the first time... whoa. Awesome, scary movie.
...And then, at the end, you're rooting for the monster! Suspense, horror and tragedy. It's perfect.
"Poltergeist" was pretty good-- good movie poster, at least. I liked "The Shining," too. Oh, and "Tremors."
... The topic?: Horror movies you might want to watch during this, our most bizarre of "holidays."
...Several of our writers picked their top five horror flicks, but I'll just vouch for my favorite:
1. Frankenstein! Can't beat the best monster movie ever! If you can pretend you've never seen it before, and if you try to ignore its pop-culture pervasiveness (is there a more famous image than Karloff's monster?); if you can get into character, if you can method act and grasp the the mind-set that people had, in 1931, when they walked into a dark theater to see a black and white horror film for the first time... whoa. Awesome, scary movie.
...And then, at the end, you're rooting for the monster! Suspense, horror and tragedy. It's perfect.
"Poltergeist" was pretty good-- good movie poster, at least. I liked "The Shining," too. Oh, and "Tremors."
The End.
k
October 30, 2008
VOTE!
This is a photoshop drawing/painting for a story about what players for the Warriors think about the election. It looks like it might be a pretty interesting read. Stories like this give me hope because-- although we percieve these guys as dumb, arrogant, selfish-- we often find out that they're really much more pensive than they appear. It's all the screaming, chest pounding and whining that distracts us from the true souls of these men.
...Sometimes they're genuinely unpolished young fellows, to be sure, but we hope for the best.
...This illustration will run tomorrow-- Fri., October 31st-- in the sports section, and what you see may not be the finished piece. I'll update this post if it changes significantly.
...Sometimes they're genuinely unpolished young fellows, to be sure, but we hope for the best.
...This illustration will run tomorrow-- Fri., October 31st-- in the sports section, and what you see may not be the finished piece. I'll update this post if it changes significantly.
The End.
s
s
p.s. New record for posts in a month!
October 29, 2008
Closing In...
Okay, two days to go and I've tied my record for most posts in a month. AND I've got two more waiting in "draft" mode, almost ready. This is me celebrating and skipping and taunting before I cross the goal line, I know, but I've always suspected that I would be the type of guy to let success, however humble, go to my head. Take that, June 2006!
...Today's contribution:
This is a scan of another comic test-run. I inked on cheap tracing paper over a very rough pencil sketch-- I like the way the paper buckles and warps; it can drive you crazy if you let it. The trick is not to notice, not to care and just let the accidents happen. (And then try to cover it all up with color in Photoshop.)
...Colored in P-shop.
...Today's contribution:
This is a scan of another comic test-run. I inked on cheap tracing paper over a very rough pencil sketch-- I like the way the paper buckles and warps; it can drive you crazy if you let it. The trick is not to notice, not to care and just let the accidents happen. (And then try to cover it all up with color in Photoshop.)
...Colored in P-shop.
The End
a
October 26, 2008
Heads Heads Heads
First, I drew that stack of five heads on the left, in pencil only. Then I thought, I should really draw from reference more often, if only to make sure that some of those skills (such as they are) haven't been buried under all the other make-believe nonsense I do here. To address this concern I created the portrait of French engineer Louis Larent Simonin; he's the large, obviously referenced drawing. Not too bad. It came out sort of looking like him, too. Bonus.
I felt good enough about Louis that I decided to go back to my usual head-doodle routine. I roughed in featureless head-shapes all over the page, filling up the space. I did varying degrees of tightening up in pencil and my intention was to scan it un-inked; it would be a page of pure pencil drawings!
...I was listening to an old Gunsmoke radio-show, and I was really focused on it-- William Conrad as Marshal Dillon, John Dehner playing an old friend of Dillon's, Harry Bartell playing a bad-guy in this episode; great stuff-- but, as it ended, I came back to attention and noticed that I was inking a head. Dang! And I had already inked three others! Double dang!!
...I really wanted to finish this page quickly, but I was in a groove and having fun. I gave myself one more radio-show to ink as much as I could and then just let it go. So I did.
...And coloring? Well, I couldn't stop that either. I fear posting some stuff in naked black and white. I tried to limit the color work to 5-10 minutes a head, and I managed to stain the whole thing in about 2 hours, cheating a little bit with those pink and blue heads.
I felt good enough about Louis that I decided to go back to my usual head-doodle routine. I roughed in featureless head-shapes all over the page, filling up the space. I did varying degrees of tightening up in pencil and my intention was to scan it un-inked; it would be a page of pure pencil drawings!
...I was listening to an old Gunsmoke radio-show, and I was really focused on it-- William Conrad as Marshal Dillon, John Dehner playing an old friend of Dillon's, Harry Bartell playing a bad-guy in this episode; great stuff-- but, as it ended, I came back to attention and noticed that I was inking a head. Dang! And I had already inked three others! Double dang!!
...I really wanted to finish this page quickly, but I was in a groove and having fun. I gave myself one more radio-show to ink as much as I could and then just let it go. So I did.
...And coloring? Well, I couldn't stop that either. I fear posting some stuff in naked black and white. I tried to limit the color work to 5-10 minutes a head, and I managed to stain the whole thing in about 2 hours, cheating a little bit with those pink and blue heads.
The End.
k
k
October 25, 2008
Freestyle Doodle Improv
First, I drew a box. Then, I sketched the guy on the right. I put a hat on him, and I dressed him in a fashion to quietly compliment the hat-- he struck me as a bloke who would frown upon a gaudy dissonance of appearance. He looked like he needed a girlfriend, so I made one that I thought he might like and tucked her under his arm. I'm not sure he's all that crazy about her.
.
f
I put in the blind-folded guy over on the left and, by the time I finished drawing him, he was being driven by a little monkey. That was surprising! He looked lonely over there but I didn't think he'd be the type to attract the chicks. Instead, I gave him a friend who is like-minded, although I think #2 is more interested in the first fellow's girlfriend.
...The red figure in the background is the lady with the helmet from two previous posts (just scroll down a few, you can't miss her.) She wanted to be in the picture but she's been hamming it up, so I asked her to stand in the background....I roughed in the buildings, not really knowing what any of it is, but it didn't look bad to me at the time. I inked everything and I thought it was finished.
...The two people behind #14 poked their heads in. I shooed them away, but it was too late. I inked them too and proceeded to scan and color the whole shebang.
...I wonder what it all means?
The End.
,
October 20, 2008
Gun-Guy and Bad-Heads
Very quick sketch of some guy and a batch of not-so-good heads. I was going to hide these doodles but I thought I'd try to make them presentable somehow.
I
I
I haven't been inventive with my photoshop coloring lately; I have found or created a few brushes and methods that I lean on exclusively. This was a mild attempt to shake up that comfort zone.
I haven't been inventive with my photoshop coloring lately; I have found or created a few brushes and methods that I lean on exclusively. This was a mild attempt to shake up that comfort zone.
...They ended up pretty colorful!
The End.
I
October 18, 2008
Bad Trip
My latest illustration is slated to run this weekend in the travel section. A few times a year the editors call upon the readers to submit content, which might sound like a crap-shoot but it's very popular and there are always some real gems (sometimes they're unprintable, but those provide extra entertainment around the newsroom.) This time we asked for tales of what went wrong on vacation; this is my humble effort to illustrate that theme.
...This piece was done entirely in Photoshop. I spent some time working up ideas with paper and pencil, filling a few pages with funny characters, cartoon airplanes, Eiffel Tower doodles, and so on; but when I scribbled a palm tree it looked very "Ukiyo-e" and I liked it.
...With that style in mind, I doodled a little kid with a shovel, pail and raincoat; and I liked that, too. The deadline was approaching so, for expediency's sake, I shifted to digital and improvised the rest of it.
...Now, as a member of a staff so decimated that we struggle simply to cover the shifts, there is less creativity in what I do and much less joy in the environment I work in. The people who remain are stellar; committed, professional, a pleasure to work under fire -- and I'm proud to work with them -- but the burdens are much greater and the rewards have diminished to the point where I wonder, "why am I doing this?"
...When I manage to score an illustration, or another assignment that gives me a more personal sense of satisfaction and a stronger sense of contribution, I really appreciate this aspect of what I've done for the past 7 or 8 years. What fun it can be to create something from start to finish, sign my name to it, and then, the next morning, 350,000 people are looking at it.*
...I'm also aware that each enjoyable project might be my last, and I try to find the extra time and the extra oomph to make sure it isn't something I'll be embarrassed of. I did have fun with this one and I kind of like it, but it makes me miss the good old days.
...Not a bad one to go out on if this is it.
*That's a guesstimate; might be a little less, might be a lot more. I looked up the circulation numbers of five of our papers (from a couple of years ago) added them together and rounded down. There are 11 papers that my stuff appears in, but circulation is down everywhere and, if what I've heard is true, numbers are often overestimated just to fluff things up. I'll fix this later if I can find the right numbers.
...This piece was done entirely in Photoshop. I spent some time working up ideas with paper and pencil, filling a few pages with funny characters, cartoon airplanes, Eiffel Tower doodles, and so on; but when I scribbled a palm tree it looked very "Ukiyo-e" and I liked it.
...With that style in mind, I doodled a little kid with a shovel, pail and raincoat; and I liked that, too. The deadline was approaching so, for expediency's sake, I shifted to digital and improvised the rest of it.
A personal aside (boring! You can probably skip it.)
...I've probably mentioned it before but the newspaper business is in bad shape, and the past few months have been particularly severe. I've seen an large number of colleagues squeezed out, bought out, laid off. A couple of very talented and long-time friends have recently been let go. There are rumors of even more cutbacks to come....Now, as a member of a staff so decimated that we struggle simply to cover the shifts, there is less creativity in what I do and much less joy in the environment I work in. The people who remain are stellar; committed, professional, a pleasure to work under fire -- and I'm proud to work with them -- but the burdens are much greater and the rewards have diminished to the point where I wonder, "why am I doing this?"
...When I manage to score an illustration, or another assignment that gives me a more personal sense of satisfaction and a stronger sense of contribution, I really appreciate this aspect of what I've done for the past 7 or 8 years. What fun it can be to create something from start to finish, sign my name to it, and then, the next morning, 350,000 people are looking at it.*
...I'm also aware that each enjoyable project might be my last, and I try to find the extra time and the extra oomph to make sure it isn't something I'll be embarrassed of. I did have fun with this one and I kind of like it, but it makes me miss the good old days.
...Not a bad one to go out on if this is it.
The End
p.s. Just in case it isn't clear, the headline will probably go across the very top and the story will flow in a box, something like this:
*That's a guesstimate; might be a little less, might be a lot more. I looked up the circulation numbers of five of our papers (from a couple of years ago) added them together and rounded down. There are 11 papers that my stuff appears in, but circulation is down everywhere and, if what I've heard is true, numbers are often overestimated just to fluff things up. I'll fix this later if I can find the right numbers.
October 16, 2008
Senior Super-Hero!
These aren't very good but I've been on a roll lately and I'm desperate to keep it going. My record for most posts in a month is 13 and I may be able to beat my high-score if I stay on pace. So:
A new drawing of a character I was slightly obsessed with a few years ago. On a lark, I drew a few pages of a comic featuring an old-lady-superhero battling a giant robot. There wasn't a point to it other than I was exploring whether or not I could manage to put together a comic at a decent pace and with a level of quality that I wasn't embarrassed by. It was fun to work on and it didn't look too bad, but it wasn't quite what I was hoping for. I still like her-- there's something about her that cracks me up.
I recently read the Essential Wolverine collection and I was totally blown away by the John Buscema/Al Williamson art. I'll confess that the stories were pretty good but I never cared for Wolverine once he became a super-secret-agent-ninja guy. I thought he was cool when he was the mysterious, cigar-chomping, beer-drinking absolutely UGLY little psychopath who might turn on his own teammates. But as a Bogart-style, world-weary good-guy hero? Puh-lease; that is NOT the guy who ripped up those guards in the Hellfire Club. (I think my age is showing.)
...I did a quick sketch to see what he'd look like in my version of the X-men and, yeah, that's about right, but he'd be a little uglier. Also, I meant to draw a cigar in his mouth but forgot about it, so that why it looks like he has a weird grimace on his face.
A new drawing of a character I was slightly obsessed with a few years ago. On a lark, I drew a few pages of a comic featuring an old-lady-superhero battling a giant robot. There wasn't a point to it other than I was exploring whether or not I could manage to put together a comic at a decent pace and with a level of quality that I wasn't embarrassed by. It was fun to work on and it didn't look too bad, but it wasn't quite what I was hoping for. I still like her-- there's something about her that cracks me up.
Backup Feature:
These are little doodles I wouldn't even show (and I may pull them later if I decide they're just bad fan-art) but I was so tickled by that Ditko-style fist on Peter Parker I felt like I just had to show somebody.I recently read the Essential Wolverine collection and I was totally blown away by the John Buscema/Al Williamson art. I'll confess that the stories were pretty good but I never cared for Wolverine once he became a super-secret-agent-ninja guy. I thought he was cool when he was the mysterious, cigar-chomping, beer-drinking absolutely UGLY little psychopath who might turn on his own teammates. But as a Bogart-style, world-weary good-guy hero? Puh-lease; that is NOT the guy who ripped up those guards in the Hellfire Club. (I think my age is showing.)
...I did a quick sketch to see what he'd look like in my version of the X-men and, yeah, that's about right, but he'd be a little uglier. Also, I meant to draw a cigar in his mouth but forgot about it, so that why it looks like he has a weird grimace on his face.
The End
,
October 14, 2008
A Couple of Characters
Here are a couple more character doodles. As I was coloring the second one I wondered what they'd look like standing right next to each other. Quite a team!
The End
.
October 11, 2008
Sci-Fi Gal Again
Another drawing of this character, but with a decidedly different face. No reason for the change, I just thought I'd try a stronger nose on her. Maybe she's her sister!
...This gal looks a bit taller than the other drawing, which wasn't intentional. I have a tendency to make figures long and lean, and I work hard against that-- I prefer to draw characters who look slightly normal. The eight-or nine-heads tall proportioning of figures is well-and-good but I don't look at those figures and find myself identifying with them very often.
...This gal looks a bit taller than the other drawing, which wasn't intentional. I have a tendency to make figures long and lean, and I work hard against that-- I prefer to draw characters who look slightly normal. The eight-or nine-heads tall proportioning of figures is well-and-good but I don't look at those figures and find myself identifying with them very often.
The End
Subscribe to:
Posts (Atom)











































