A couple years ago, I started working on a comic-- not a professional gig but a personal project-- the two on the left are new drawings of main characters and the two on the right were background characters I felt like revisiting.
You don't have to read this next bit, I'm just rambling on today:I've always loved comics-- I've been drawing since I ate my first crayon, and the first artists' names I learned were Kirby and Ditko and Buscema-- but I've never done more than dabble with comics. Thus far, my career as a picture-maker has taken me in a different direction but every once in a while I am inspired to increase my level of dabbling to enthusiastic dabbling.
On this occasion of comics-making-- a slow-moving slice-of-life drama about artists attending an adult school figure-study class-- I was pretty good at it for a couple of months. I'd work for an hour or so in the morning before my job and I'd try to get in a couple hours after.
My weekly process ran like this: The first day I'd write a page in the morning, arranging the lettering and layout in illustrator; I'd do quick thumbnail sketches at work during slow times-- just rough figures and scribbly environments; and then I'd work on the final art from then on out, adding color as I could. Thumbs, layouts, final drawings, lettering and colors-- all done at home on the iMac. I'd post the new page on Sunday nights, and I don't think anybody ever saw it. That's okay, I was doing it for me.
I stopped working on it when I took on a long-term freelance job. And then I focused on working on pieces that might help me get a new job. And then, other things intervened. Etc. So, when I finally got back to a point where I wanted to work on it some more, I saw it with that fresh eye; you know the one-- the one that can't stand looking at your old stuff. So here I sit, my enthusiasm blunted by too long of a vacation.
Why am I unhappy with it? I mentioned before how I'm trying to break away from doing art entirely on the computer. I've worked that way for a few years because I felt I needed to know how to do it, and now that I have a grasp on it, I'm trying to settle comfortably somewhere between the pencil and the pixel. Going back to look at this comic I can see where being strapped to a 4x5 Wacom tablet has hurt my drawing. Maybe I was used to what I was seeing on the screen but now, after having once again taken to paper and pen, I feel that I can draw better than I was drawing with the Wacom.
(Here is a sample of one of the less embarrassing pages.)
Maybe if I had a larger tablet I would be happier with the act of drawing-- If I could move my whole arm around as opposed to just wiggling the fingers and wrist I might get more of that "real drawing" feel-- but I can't afford that kind of experiment at the moment. At any rate, since I've been doing more drawing on paper I am more content with the finished work. I think my art has improved and now I have drawings that I'm collecting in sketchbooks instead of on hard drives. Well, they're collecting there, too, but you know what I mean.
I don't know if I'd revisit this abandoned project-- I'm afraid I'd have to re-draw the first twelve pages before I'd show them in public-- but looking around at all the fine work other artists are doing I'm on the brink of being inspired, once again, to try something along these lines.
Maybe.
The End.
This is just some lady. There is a string tied around her leg to remind me that she should be wearing a holster. I sort of forgot about it until I was finishing up the coloring in photoshop. Just imagine there is a holster with a really cool-looking pistol handle sticking out of it. Thanks.
For my cartoony-er stuff I really like to pour on the garish colors. When I have these weird and ugly types of characters I feel it adds to the fun if they have green skin and orange pants and purple hair. I make every effort to control the color in most of my work, but for the wackey-fun stuff I try to ignore it if my color-sense is tingling.
As I recall, this accompanied a light-hearted opinion piece lampooning the "eating contest" as a symbol of the decadence of western culture when the rest of the world is starving blah blah blah.
