Revisiting a 2004 Olympics project

In the months leading up to the 2004 Olympics, the sports section of the Oakland Tribune ran a weekly feature about notable San Francisco Bay Area athletes who had participated in the Olympic games. It started with the first modern Olympics in 1904, then 1908 the next week, then 1912, and so on.

A small sample of some of the drawings for the feature. All Photoshop drawings.

The writer, Jeff Faraudo, would work up short pieces on a local athlete, other notable Olympic performances or personalities, important world news of the time and another significant sports story that would have been in the headlines. I would then gather reference -- with some of the more obscure reference being provided by Mr. Faraudo -- then I'd create four or five drawings and arrange the layout.

This went on for, what? 20 weeks? I did dozens of drawings and it was a close shave at deadline every time. It was a long, hard road considering I had other duties and other illustrations to create. Long hours and extra effort in the middle of the night on the lime green iMac at home was the key to getting it all done.

I learned a lot about speeding up the digital drawing process and simplifying the drawing process. Even if I wasn't happy with every drawing -- and I certainly wasn't -- it was a trial by fire that increased my familiarity with creating art digitally.

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Online Bullying

(I'm going through some older work in preparation for rebuilding my website and I'll be posting a few that aren't too embarrassing...)


This was an illustration assignment for a story about online bullies. The bottom one was my first take on it, but the story turned out to pertain more to girls and the tone wasn't suited to the slightly sillier treatment.



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Older Works...

I'm going through some old stuff as I prepare to re-think, re-imagine, rebuild my website.
I found these two caricatures off in the corner:

...I don't recall what prompted these; they were mixed in with some of my newspaper work files but I'm sure they weren't for the paper. Maybe I just did them for the heck of it when I should have been doing something else.
...They look like they were done around the time I was trying to figure out how to get my digital drawings to look like pastel drawings-- I'm guessing because they seem to be more concerned with the manipulation of textures than with the drawing itself. All part of the learning process.

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Head Doodles


At work-- during long saves on one of the old computers or delays while waiting for something to print-- I occasionally doodle on the nearest scrap of paper or post-it note. I've been making a concentrated effort to invent heads of late, and these are a few of them.

These are drawn with pencil, marker and ball-point. I scanned them in and colored them this morning just for kicks.

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Maggie In Her WIndow



My thoughtful wife Tracy gave a watercolor moleskine sketchbook to me earlier this year and I've been slow to make the first mark in it. Well, I finally got there. While cleaning my drawing area-- a long process-- I painted this rather sloppy thing. Faithful cat Maggie held her pose for nearly an hour while I painted, cleaned, and painted more.

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The Game Plan

This is an illustration for a trilogy of articles about game-planning for pro, college and high-school football. Stylistically, it doesn't look like something I'd do. I'm not fond of the drop-shadowed, vector illustration-- probably because I'm not very good at it.
...I like to see that the human hand was involved somehow. I'm a total hypocrite, I know, considering I do almost ALL of my work on a computer, but you know what I mean!
...Still, I was pretty happy with it. It's not one of my favorites and it's not designed all that well (that ear, for example, doesn't seem to fit right) but I'll give it a C for effort and efficiency. I started with one quick thumbnail and drew the head in photoshop at the beginning of my shift. I came back to it many hours later and slapped it together before ending my day. No fussing allowed.

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U.S.A. vs. U.K.

Here's a big, ugly illustration for the A&E cover to go with an article penned by Tony Hicks and Jim Harrington-- who's got the better Rock & Roll resume, U.S.A. or the U.K.? (Article here.)
...I figure it started here with Chuck Berry and Elvis, but has Rock & Roll ever gotten any better than the Beatles? Dylan might have one-upped them for a bit, but they definitely took that inspiration and responded with authority.
...I can't think of any band or artist on our side of the pond that tops Led Zep or the Stones and their respective, wrinkly old bodies of work. Hendrix might have gotten there-- and still he looms large-- but he stopped too soon.
...I like the American roots of rock and R&B-- Aretha, Little Richard, Buddy Holly, Bill Haley-- but I feel their artistic merits don't match up well against the late 60's early 70's crowd, not on grounds of talent or innovation, but the later acts have this appearance of sophistication, of doing something heavier than creating pop songs. However, that may be a case of buying into fraudulent aesthetic pretensions. Is "Stairway to Heaven" really better than "Maybelline?" It's harder to play on your guitar but it's probably not superior because of it: I say Chuck Berry trumps all!
...This discussion perhaps leads to another question: Has there been any great Rock & Roll since about 1974? I haven't heard anything, with a high level of popular influence, that I could make a confident case for. Going the alternative route, I think Tom Waits and Elvis Costello have created original and Olympian bodies of work, but I think one would be booed from the stage if one was to rank either of those artists above, or perhaps even among, the usual suspects.
...I confess to having given up listening to contemporary pop/rock music for 10-15 years now, therefore I won't claim to be tuned in to what has been good within recent memory, but when I visit the music I grew up loving, I mostly listen to the artists Tony and Jim discuss in the column.
...Today, for personal enjoyment, I listen to old jazz ('20s and '30s stuff mostly) and mp3's downloaded from online archives for late 19th/early 20th century cylinder records and 78's, and radio shows from the golden age. I'm not an expert in any of that-- most of the time I don't even know who I'm listening to-- but I know what I like and that's where I'm at now. Early. 20th. Century.
...Please send help.

Anyway.
...I had MUCH fun drawing this piece, done entirely in Photoshop.
...(Left side: Elvis, Dylan, Stevie Wonder, Aretha Franklin VS. Right side: John, Paul, Keith Richards and Robert Plant-- so if you want to leave a polite comment and you aren't sure who those people are, you can now-- without fear of offending-- say: "That's a very good Elvis you've done there.")
...(Top left!)
The End.
...
P.S. So, if I have to pick a winner, it's Chuck Berry and the USA! The problem is: He isn't one of the artists who made the list! Crap! If Chuck is out of the equation then the U.K. dominates. But, no Chuck, no rock! Chuck takes all comers and destroys them with the opening riff of "Johnny B. Goode." Take that, U.K.!

P.P.S. Here's the alternate version running in some of the other newspapers.

I-Sci-Fi 3

The following text is a short excerpt from "President Ventman's Wife is a Martian" by F. Webber Slingbrook, published in the March 1947 issue of Interesting Science Fiction.*

The man standing guard-- a Martian soldier, blue-skinned, almond-eyed-- gazed across the empty reception hall in the mountain-top castle located on Blynt's Peak in Mars' northern hemisphere. He was bored, but sharp and vigilant. There hadn't been an intruder this deep into the Martian kingdom for over 400 years but this was his job, and so thorough was his training that he was diligent in his duty even though the oppressive, silent monotony would crush the soul of most men of action.

This day, however, was to be different. Something happened. First, a noise -- a scraping noise -- coming from outside. And over there, across the hall, through one of the tall frosted windows he saw the silhouette of a man. Puzzled and amazed the guard walked across the room, closer to the window. So puzzled and so amazed was he that his training failed him. So peculiar was the occurrence, so far outside of what he thought could ever happen was this unforseen circumstance that his gun was left forgotten in its holster. It is impossible, he thought, that a man could be outside that window-- the building was high atop a mountain. And the building? It was tall and featureless on that side. Impossible!

But, despite history and despite reason, it seemed that the impossible was possible.

The window slowly opened inward, and there was a man there-- an Earth-man; short, stocky, a pale pink color, very ugly-- and he was standing on the sill. The Earth-man was plainly surprised to see the Martian. For a moment astonishing in its length, two men from two different worlds stared silently at one another, exchanging only meaningless blinks of their eyes. Finally, the Martian soldier exhaled. A slow wheeze of air escaped from him and nothing more. It did, however, end the lull and the human intruder was the first to seize the initiative.

"There you are!" He hopped down from the window and snarled at the guard. "You've really done it this time!"

The Martian took a step back. Confronted by an aggressor, his training began to take hold again. The man of Earth saw one of the Martian's blue hands fall dutifully toward his holster. Firmly and with a venomous tone the Earth-man said: "The Queen is so angry! And she mentioned you by name!" The idea of the Queen's anger bearing his name chilled the Martian. Did she even know his name? It did not matter. The instincts for his duties were buried beneath his fear of the Queen.

 "Me?! Wh-what did I do?" squeaked the blue fellow.

"What did you do?" shouted Dalton Trencher, astronaut, expert pugilist and adventurer from Earth. With a great flourish of hands and the strongly projected emotings of a practiced thespian, he sputtered angrily before squealing in a manner mocking the Martian's own quivering voice. "'Me?! Wh-wh-wh-whhat did I do?!' he asks! By God, you heartless devil! Put up your paws and show me what you're made of!"

The guard was baffled and nearly helpless, but the sight of the Earth-man, his fists clenched and held up in front of him-- a universally understood sign of an invitation to a fist fight-- offered some kind of hand-hold for his reeling senses and appealed to his warrior's heart. Here was an opportunity for a trained soldier-- a soldier lost in a fog of unexpected occurrences, with no clear course of action and no hope of receiving orders from central command-- to lash out and hit somebody.

The absurdity of the situation was weightless. It did not matter that he was on stale guard duty mere seconds ago, and now found himself squaring off against an alien intruder from another planet. To the Martian's panicked mind, here was a much smaller man standing ready to brawl, practically asking to be beaten, and tell me, what man-- man of Mars or man of Earth-- doesn't perk up to that? What could bring more pleasure than engaging in a quick sparring session with an opponent who, after a quick assessment of size and weight, was not likely to be much of a problem?

But Dalton Trencher had been a problem in the ring, as a sparring partner, for the great Joe Louis. "Mr. Louis," as Dalton told the story, "was caught off guard in our first session and I landed a few shots that I thought might have done him in. But Mr. Louis climbed back into the ring and I'm proud to say he gave me a beating he told me he HAD to give. Otherwise, said Mr. Louis, he felt would have to hand me his championship belt before I walked out of the gym that day."

The Martians had been listening to radio broadcasts from Earth for decades and the broadcasts of heavyweight bouts were even more popular on Mars than on the planet where they took place. It is not an exaggeration to say Joe Louis, in the cultural perception of Martian civilization, was the most terrible warrior and most admired person on that distant planet. Martian women coerced good behavior from their children by saying "If you don't eat your Vlarfrak, Joe Louis will get you with an uppercut." Martian men, in a culture where toughness is the highest virtue, would praise the greatest of their warriors by saying, "he's a real brown bomber!"

This Martian soldier had listened to many of Joe Louis' fights; he marveled at the descriptions and hoped one day to travel to Earth to see the great Joe Louis beat somebody in the ring. In spite of the Martian appetite for boxing and the pride his people took in the development of those skills, the thought of getting into the ring with Joe never crossed his mind-- it was practically unthinkable.

As the soldier eagerly readied himself to box the Earthling, he could not know the quality of fighter looking into his eyes from behind heavy fists. Had he known, he might have remembered his weapon.

Dalton threw two hard left jabs, and the blue man gasped in pain. He had not seen the first jab.
The second jab he saw but he could only shut his eyes as those knuckles cracked against his cheek.
The Martian's sense of perspective and duty returned as the pain of the second jab took effect. Slugged into submission by the inflicted agonies of the Earth-man's vicious punches, his confusion was gone and there was no doubt of what his course of action should be.

The Martian's survival instincts roared to life and tried to assert themselves. But the jabs had done their work on him and, instinctively, he knew a strong right hook was coming in over his dropped defenses. He tried to raise his shoulder a bit, hoping to deflect the finishing blow, but he also knew it was too late. He gave thought to a short Martian prayer and -- eyes shut, teeth clenched -- sleep came with a thudding suddenness. He settled to the floor and was still. A single tooth cartwheeled and clattered away from the unconscious soldier, roster-tailing a tiny path of spittle and blood.

*     *     *     *     *     *

Trencher took a deep breath and held it. Silence. Good. He glanced back to the window and saw the rope ladder dangling outside; his rocket ship hovered twenty feet above, waiting.

He ran across the large high-ceilinged room and grabbed the handles of an enormous pair of white doors. At his touch the doors slid sideways into the walls and Dalton found himself looking out onto a large and elegantly furnished balcony. The high peaks of the Martian landscape were seen beyond the railings, a heavy white fog swirled above, below and between the peaks. A red moon hung low in the purple sky.

There was a small table set with shining utensils and fine china. Fancy pastries were stacked on ornately decorated platters beside a silver tea-pot. Standing next to the table,wearing a robe of the finest silk, was President Ventman, elected leader of Planet Earth. A long hand-rolled cigarette rested on his lower lip and it wiggled as an expression of bewilderment when the President recognized the man before him.

"D-Dalton Trencher?" The President stammered. "How the--"

"Mr. President, sir." Dalton put his hand out and by reflex the President responded. Dalton grabbed and shook, and he was pleased at the firmness of the President's grip. Dalton felt great pride in his leader; despite his kidnapping, despite his abduction and imprisonment by the Martian scoundrels, it was bracing to find that the leader of the Earth was still able to take you firmly and confidently by the hand. Indeed, the President's well-practiced handshake was strong and smooth; so smooth that the equally strong handshaking motion of Dalton Trencher's grip didn't ripple the tea in the cup that the President held in his other hand.

"You've got the bastards serving you tea, sir?" Dalton laughed. "Absolutely ripping, sir! What a story to tell the boys back home, sir!"

"What?" said the President.

"That's all right, sir," Dalton tried to take the tea, but the President pulled it away. "You'll be safe in just a few minutes, Mr. President."

"I am safe, Trencher!"

"Thank you for your confidence, sir, but I don't think we'll truly be in the clear until we get aboard my ship."

"Your ship? What are you talking about?" The President grimaced angrily and took another sip from his cup. "I'm not getting on your ship!"

"Look out, sir!" shouted Trencher. He lunged and slapped the cup from the President's hand. It shattered on the marble floor and Dalton was relieved to see that the liquid didn't eat into the surface. "It could be poison, or worse!"

"Trencher, come here." Angrily, the President stomped over to the balcony's edge. "Look." President Ventman pointed to a nearby peak, similar in height to the one upon which they were now. It also had a Martian castle built on its top. Further down that mountain was a man-made cave, and out of that cave came a narrow road. Trencher saw that the road passed over a bridge, to another peak, and continued on an elevated ramp which eventually entered into another cave about fifty feet below where they were standing.

"Ah," sighed the President. "Here she comes." Out of the distant cave came a sight that put a cramp in Trencher's throat. An absurdly tall, regal, blue-skinned woman emerged wearing a pale, purple jumpsuit and a domed helmet of shiny metal. She came forth riding a peculiar vehicle -- part scooter and part war-bot -- standing on a wheeled platform towed by the menacing machine of destruction. The war-bot responded to buttons and levers arranged on handlebars held by the Martian woman. Her gloved fingers moved gently, expertly over the controls and her deadly transport rolled silently and swiftly along the roadway that ended in the cave below them.

"Holy smokes!" exclaimed Dalton. He knew who she was: Madame Essima Fondrey, Queen of Mars and sworn enemy of the men of Earth! Twice this cruel giantess had led attacks upon the Earth, the horrific results of which included the cleaving in twain of Earth's moon and the destruction most of the public buildings and bridges in the states of Tennessee and Kentucky.

"Quickly, sir, to my ship! She'll be here in moments." Trencher turned away from the approaching horror to see that the President had walked back to the table. He was calmly chewing a mouthful of pastry and he was dropping sugar cubes into the next cup of tea.

"I shall wait right here," the President said around a too-large bite of delicious pastry. He swallowed part of it and continued. "You, on the other hand should probably leave-- I might not be able to prevent her from setting the war-bot on you." He sipped, washing down the last of the bite, and added, with a pensive expression: "Although she would probably demand the satisfaction of demolishing you herself for intruding, uninvited, into her personal apartments."

"What is going on here, sir?" Trencher felt the urge to slap the President to his senses; it was not a thing to consider cavalierly, but if President Ventman didn't start behaving sensibly then he would have to! "What kind of evil power does that foul female Martian beast have over you?"

Here, the President stiffened. The scowl he cast upon Dalton Trencher was pure Presidential fury, and the strength of his gaze drew upon the incorruptible authority of the constitution and the power given to his office, and to him, by the people of the United States of Earth. Trencher had never been one to flinch before the anger of another man, but flinch he did. He flinched mightily and a sweat broke out upon his brow.

"Mr. Trencher," said President Ventman, with indignant scorn for the man who had come to rescue him. "That foul female Martian beast," he said, putting down his tea and resisting the impulse to pick up another pastry, "is my wife!"

The End

*It's fake. I made it all up.
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Cheating in Sports

This is an illustration for a Marcus Thompson II column about cheating in sports. (Marcus is one of the Contra Costa Times' sports writers and he tends a lively blog where we can all go and worry about the Oaktown Warriors together. As a long-winded aside I have a mild but long-lived interest in the Warriors, and I fear that last year's pleasant resurgence was but a freakish blip destined to be followed by the return of the bleak and dismal days brought on by the whole Chris Webber debacle which left all of Golden State fandom trapped in a mineshaft with no light and no breath of fresh air, but I'm digressing more than a decade back in time, so let's try to forget it and concern ourselves with the drawing... although it feels like it was just yesterday and boy has it been a bummer ever since!) Whew.
...I received plenty of advance notice for this project, and the topic seemed pretty clear to me, so I was able to do quite a lot of sketching and thinking-- a few days' worth of doodling during the idle moment. I was imagining fun and light-hearted examples of cheating to use as a humorous representation of the column's topic. Horseshoes in boxing gloves, rockets or springs on shoes, big wads of tobacco thickened saliva on fast-balls, etc. Ha ha!
...I was searching for a complete idea and a style that felt right, a few samples are these two collections of sketches here:

...The top left hoopster was my first effort and I "painted" it with a technique I've been using often. I enjoy working that way but I felt it might be more fun to use a "pen and ink" cartoon drawing. My further efforts fell into that style and I stayed with that look for the final.

...Out of necessity, I do many of my illustrations without having seen the story-- it's not unusual for story and illustration to cross the finish line at the same time-- therefore it's possible for the artist or the writer to stray a little bit in tone or content, which can leave you with two elements that might not be entirely in sync.
... Lately, I've been working with writers I'm very familiar with and those assignments are easy because of our history-- I know them, they know me-- it's more comfortable. And, if I really mess up, I can count on our good relationships to discourage them from yelling at me.
...Well, my spider-senses were tingling this time because I hadn't worked in tandem with MT2 before and, though I read most of his work and stay pretty current with his blog, I didn't have an intuitive feel for how he would handle the topic. After a quick email he let me know that his story was mostly done, and I was able to read the unedited version. Good thing. Madcap comedy and mayhem was definitely not in tune with the column.
...After checking the editor for vibes about what they were anticipating, I took a more literal approach by caricaturing people mentioned in the column; I abandoned the concept of a zany representational illustration. It isn't the presentation I daydreamed about at the beginning but I like the more restrained tone and, as a package, it's much better because of it.
...Of course this meant I had to essentially start over and go like crazy to get it done but, like I said, much better.

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Two For The Price Of One Today!

...Columnist Candace Murphy is one of the writers I've had the pleasure to work with for several years. She's brilliant and a great writer-- a true artist. She has a terrific range topically and stylistically, but when she's in light-humor mode I think my work (always light) sits humbly and comfortably next to it.
...She's rather hung up on the baby topic lately-- since there is one impending-- so, I get to do two in a row that are thematically linked!
...#1 is a photoshop drawing for a story about baby naming trends.





...#2 is a "drawing" done in Illustrator, for a story about things not to do/say to pregnant women.

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