Showing posts with label I-Sci-Fi. Show all posts
Showing posts with label I-Sci-Fi. Show all posts

I-Sci-Fi Magazine

My ideal job would be to paint and draw for (bad) 1940's and 50s era pulp magazines. There are days when I think the best art of all time appeared in grotesquely vivid color on the covers of the pulps. Today is one of those days.

Open in a new window for a much larger image.

Back in the late 80s, it was pretty clear the sci-fi, fantasy, detective and western pulp magazine business was near death, but I hoped that it would last long enough so that I could score a cover painting or an interior pen and ink drawing for publication, just so that I could say that I did it. Never happened.

So, every once in a while, I hop the trolley to the land of make-believe and pretend.


Above are two screen-shots of the painting before I figured out what I was going to do.
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I've had this notion to create my own e-zine of goofy science-fiction stories and artwork, and maybe I will get to it someday but, until then, I'm going to try to create more art like this because it's great fun. The grind of work has been getting to me and this reckless creativity has been refreshing. I think it's good for me!

Below is the painting without all the annoying type.

Open in a new window for a much larger image.
The End

I-Sci-Fi: All Her Secret Felonies Go... POP!

Painted, as always, in Photoshop. How did people make art
before they invented the iMac? I can't imagine…
I've been goofing around with this illustration on the side for a while. Today, I noticed it would fit pretty nicely within my I-Sci-Fi layout. I didn't have to tweak the composition at all! Happy accidents.

I'm revisiting the work of Richard M. Powers, an artist who did hundreds of paperback covers during the 60s. (This gentleman has a fabulous collection of his work here.) Powers had a very abstract and graphic approach to his painting and design. I haven't seen much of that in the digital age, but I hope it comes back.

There seems to be a swing toward "realistic" computer art again. It looks glossy and it flows from mind to canvas without the quiver of the human hand to give it life. I'm not much better. This is my cautious lean in Powers' direction, without giving up the computer. (I hate getting my hands dirty.)

I-Sci-Fi: The Guardian of Pana-NaNonJii Temple

Alright. Done! I'm calling it done.

Shortly after posting the exploratory roughs for this piece, I decided what I posted wasn't very good. I almost dumped the whole idea. But a couple of people bothered to comment, so I felt like someone was watching. Had to follow through.

I don't know if this improves on my original ideas, but I had great fun. I really enjoy this nonsense. And the research is the best part. It's a joy for me wander the web and take in all those wonderful collections of classic science-fiction magazine and novel covers. It tickles my eye and I like nothing better than having my eye tickled; it improves my energy and my disposition.

I started typing an excerpt from F. Webber Slingbrook's featured story, but I don't think I'll have the time to get very far with it. Maybe later...

Any comments, criticisms and wise-guy remarks are welcome.

I should note that I don't quite know what it is the guy is wearing. I put it on him and he seemed comfortable with it.

*     *     *     *     *

Here's what it looks like without the text covering up some of the bits I don't want you to see. Hm. I should have put a temple or something in the background to tie it in with the title. Ah, well...


I-Sci-Fi Cover Rough Doodles

Roughs!
I'm creating another cover for that little-known, illusory magazine of retro-speculative imaginative fiction, "Interesting Sci-Fi." (For previous I-Sci-Fi efforts, click the "I-Sci-Fi" link in the left column under "Labels.")

This is going to be a big step in the evolution of this (non) publication. No longer will I-Sci-Fi (not) be printed in the tradition of the Science-Fiction periodicals of the 30s, 40s and 50s. Now -- jumping on the coattails of the latest techno-fad -- it will be reformatted to (not) be published on your iPad. The structural paradigm shift involves a slight, dramatic change in the shape this next painting. It's marginally shorter and ready for the future.

I've only found a couple of hours to work on it, therefore I haven't gotten past the "roughs" stage. I should get some time to paint this weekend. I might write a short piece of (lousy) sci-fi to go with it. I have a story idea, but if I can't find the time, I'll just skip that part and make the picture.

I've been looking at "Amazing Stories" magazine covers recently, so I am under the influence of Robert Fuqua,  Arnold Kohn and Robert Gibson Jones. Also, when I'm in this state of mind, I'm always striving to be like Kelly Freas.

To Be Continued...

I-Sci-Fi #4

I started this faux cover on Sunday the 2nd with the self-imposed deadline of Friday the 7th, which I didn't think I'd be able to meet. I did okay! What you see here is what I was able to do.
...I worked about 3 hours on Sunday and squeezed in an hour or two Monday through Thursday. On Friday I played with the type and tweaked the painting ever so slightly to make it easier to read the text.

I have a slight notion of "finishing" this piece, but my deadline is to be respected. I'm role-playing a little bit-- pretending that this is a real project and that I've only so much time. I might jump back into it and make it better if I just can't stands it no more.

Geez, I didn't finish the rocket interior and the hammer is asking for a touch more work. What a hack!

As I worked, a story for this painting developed and I had the idea of writing it up and presenting it alongside this painting-- like my previous I-Sci-Fi post-- but it took a long time to write that story and I felt it was necessary to make more artwork to prop it all up. It was fun, but creatively I was trapped in a hole with that little project for a month and a half trying to get both words and pictures to a place where I wasn't completely embarrassed by the presentation.

And, of course, it appears that nobody who got around to reading it was motivated to comment on it. I guess that'll encourage me to stick to pictures for the time being!

The End

I-Sci-Fi 3

The following text is a short excerpt from "President Ventman's Wife is a Martian" by F. Webber Slingbrook, published in the March 1947 issue of Interesting Science Fiction.*

The man standing guard-- a Martian soldier, blue-skinned, almond-eyed-- gazed across the empty reception hall in the mountain-top castle located on Blynt's Peak in Mars' northern hemisphere. He was bored, but sharp and vigilant. There hadn't been an intruder this deep into the Martian kingdom for over 400 years but this was his job, and so thorough was his training that he was diligent in his duty even though the oppressive, silent monotony would crush the soul of most men of action.

This day, however, was to be different. Something happened. First, a noise -- a scraping noise -- coming from outside. And over there, across the hall, through one of the tall frosted windows he saw the silhouette of a man. Puzzled and amazed the guard walked across the room, closer to the window. So puzzled and so amazed was he that his training failed him. So peculiar was the occurrence, so far outside of what he thought could ever happen was this unforseen circumstance that his gun was left forgotten in its holster. It is impossible, he thought, that a man could be outside that window-- the building was high atop a mountain. And the building? It was tall and featureless on that side. Impossible!

But, despite history and despite reason, it seemed that the impossible was possible.

The window slowly opened inward, and there was a man there-- an Earth-man; short, stocky, a pale pink color, very ugly-- and he was standing on the sill. The Earth-man was plainly surprised to see the Martian. For a moment astonishing in its length, two men from two different worlds stared silently at one another, exchanging only meaningless blinks of their eyes. Finally, the Martian soldier exhaled. A slow wheeze of air escaped from him and nothing more. It did, however, end the lull and the human intruder was the first to seize the initiative.

"There you are!" He hopped down from the window and snarled at the guard. "You've really done it this time!"

The Martian took a step back. Confronted by an aggressor, his training began to take hold again. The man of Earth saw one of the Martian's blue hands fall dutifully toward his holster. Firmly and with a venomous tone the Earth-man said: "The Queen is so angry! And she mentioned you by name!" The idea of the Queen's anger bearing his name chilled the Martian. Did she even know his name? It did not matter. The instincts for his duties were buried beneath his fear of the Queen.

 "Me?! Wh-what did I do?" squeaked the blue fellow.

"What did you do?" shouted Dalton Trencher, astronaut, expert pugilist and adventurer from Earth. With a great flourish of hands and the strongly projected emotings of a practiced thespian, he sputtered angrily before squealing in a manner mocking the Martian's own quivering voice. "'Me?! Wh-wh-wh-whhat did I do?!' he asks! By God, you heartless devil! Put up your paws and show me what you're made of!"

The guard was baffled and nearly helpless, but the sight of the Earth-man, his fists clenched and held up in front of him-- a universally understood sign of an invitation to a fist fight-- offered some kind of hand-hold for his reeling senses and appealed to his warrior's heart. Here was an opportunity for a trained soldier-- a soldier lost in a fog of unexpected occurrences, with no clear course of action and no hope of receiving orders from central command-- to lash out and hit somebody.

The absurdity of the situation was weightless. It did not matter that he was on stale guard duty mere seconds ago, and now found himself squaring off against an alien intruder from another planet. To the Martian's panicked mind, here was a much smaller man standing ready to brawl, practically asking to be beaten, and tell me, what man-- man of Mars or man of Earth-- doesn't perk up to that? What could bring more pleasure than engaging in a quick sparring session with an opponent who, after a quick assessment of size and weight, was not likely to be much of a problem?

But Dalton Trencher had been a problem in the ring, as a sparring partner, for the great Joe Louis. "Mr. Louis," as Dalton told the story, "was caught off guard in our first session and I landed a few shots that I thought might have done him in. But Mr. Louis climbed back into the ring and I'm proud to say he gave me a beating he told me he HAD to give. Otherwise, said Mr. Louis, he felt would have to hand me his championship belt before I walked out of the gym that day."

The Martians had been listening to radio broadcasts from Earth for decades and the broadcasts of heavyweight bouts were even more popular on Mars than on the planet where they took place. It is not an exaggeration to say Joe Louis, in the cultural perception of Martian civilization, was the most terrible warrior and most admired person on that distant planet. Martian women coerced good behavior from their children by saying "If you don't eat your Vlarfrak, Joe Louis will get you with an uppercut." Martian men, in a culture where toughness is the highest virtue, would praise the greatest of their warriors by saying, "he's a real brown bomber!"

This Martian soldier had listened to many of Joe Louis' fights; he marveled at the descriptions and hoped one day to travel to Earth to see the great Joe Louis beat somebody in the ring. In spite of the Martian appetite for boxing and the pride his people took in the development of those skills, the thought of getting into the ring with Joe never crossed his mind-- it was practically unthinkable.

As the soldier eagerly readied himself to box the Earthling, he could not know the quality of fighter looking into his eyes from behind heavy fists. Had he known, he might have remembered his weapon.

Dalton threw two hard left jabs, and the blue man gasped in pain. He had not seen the first jab.
The second jab he saw but he could only shut his eyes as those knuckles cracked against his cheek.
The Martian's sense of perspective and duty returned as the pain of the second jab took effect. Slugged into submission by the inflicted agonies of the Earth-man's vicious punches, his confusion was gone and there was no doubt of what his course of action should be.

The Martian's survival instincts roared to life and tried to assert themselves. But the jabs had done their work on him and, instinctively, he knew a strong right hook was coming in over his dropped defenses. He tried to raise his shoulder a bit, hoping to deflect the finishing blow, but he also knew it was too late. He gave thought to a short Martian prayer and -- eyes shut, teeth clenched -- sleep came with a thudding suddenness. He settled to the floor and was still. A single tooth cartwheeled and clattered away from the unconscious soldier, roster-tailing a tiny path of spittle and blood.

*     *     *     *     *     *

Trencher took a deep breath and held it. Silence. Good. He glanced back to the window and saw the rope ladder dangling outside; his rocket ship hovered twenty feet above, waiting.

He ran across the large high-ceilinged room and grabbed the handles of an enormous pair of white doors. At his touch the doors slid sideways into the walls and Dalton found himself looking out onto a large and elegantly furnished balcony. The high peaks of the Martian landscape were seen beyond the railings, a heavy white fog swirled above, below and between the peaks. A red moon hung low in the purple sky.

There was a small table set with shining utensils and fine china. Fancy pastries were stacked on ornately decorated platters beside a silver tea-pot. Standing next to the table,wearing a robe of the finest silk, was President Ventman, elected leader of Planet Earth. A long hand-rolled cigarette rested on his lower lip and it wiggled as an expression of bewilderment when the President recognized the man before him.

"D-Dalton Trencher?" The President stammered. "How the--"

"Mr. President, sir." Dalton put his hand out and by reflex the President responded. Dalton grabbed and shook, and he was pleased at the firmness of the President's grip. Dalton felt great pride in his leader; despite his kidnapping, despite his abduction and imprisonment by the Martian scoundrels, it was bracing to find that the leader of the Earth was still able to take you firmly and confidently by the hand. Indeed, the President's well-practiced handshake was strong and smooth; so smooth that the equally strong handshaking motion of Dalton Trencher's grip didn't ripple the tea in the cup that the President held in his other hand.

"You've got the bastards serving you tea, sir?" Dalton laughed. "Absolutely ripping, sir! What a story to tell the boys back home, sir!"

"What?" said the President.

"That's all right, sir," Dalton tried to take the tea, but the President pulled it away. "You'll be safe in just a few minutes, Mr. President."

"I am safe, Trencher!"

"Thank you for your confidence, sir, but I don't think we'll truly be in the clear until we get aboard my ship."

"Your ship? What are you talking about?" The President grimaced angrily and took another sip from his cup. "I'm not getting on your ship!"

"Look out, sir!" shouted Trencher. He lunged and slapped the cup from the President's hand. It shattered on the marble floor and Dalton was relieved to see that the liquid didn't eat into the surface. "It could be poison, or worse!"

"Trencher, come here." Angrily, the President stomped over to the balcony's edge. "Look." President Ventman pointed to a nearby peak, similar in height to the one upon which they were now. It also had a Martian castle built on its top. Further down that mountain was a man-made cave, and out of that cave came a narrow road. Trencher saw that the road passed over a bridge, to another peak, and continued on an elevated ramp which eventually entered into another cave about fifty feet below where they were standing.

"Ah," sighed the President. "Here she comes." Out of the distant cave came a sight that put a cramp in Trencher's throat. An absurdly tall, regal, blue-skinned woman emerged wearing a pale, purple jumpsuit and a domed helmet of shiny metal. She came forth riding a peculiar vehicle -- part scooter and part war-bot -- standing on a wheeled platform towed by the menacing machine of destruction. The war-bot responded to buttons and levers arranged on handlebars held by the Martian woman. Her gloved fingers moved gently, expertly over the controls and her deadly transport rolled silently and swiftly along the roadway that ended in the cave below them.

"Holy smokes!" exclaimed Dalton. He knew who she was: Madame Essima Fondrey, Queen of Mars and sworn enemy of the men of Earth! Twice this cruel giantess had led attacks upon the Earth, the horrific results of which included the cleaving in twain of Earth's moon and the destruction most of the public buildings and bridges in the states of Tennessee and Kentucky.

"Quickly, sir, to my ship! She'll be here in moments." Trencher turned away from the approaching horror to see that the President had walked back to the table. He was calmly chewing a mouthful of pastry and he was dropping sugar cubes into the next cup of tea.

"I shall wait right here," the President said around a too-large bite of delicious pastry. He swallowed part of it and continued. "You, on the other hand should probably leave-- I might not be able to prevent her from setting the war-bot on you." He sipped, washing down the last of the bite, and added, with a pensive expression: "Although she would probably demand the satisfaction of demolishing you herself for intruding, uninvited, into her personal apartments."

"What is going on here, sir?" Trencher felt the urge to slap the President to his senses; it was not a thing to consider cavalierly, but if President Ventman didn't start behaving sensibly then he would have to! "What kind of evil power does that foul female Martian beast have over you?"

Here, the President stiffened. The scowl he cast upon Dalton Trencher was pure Presidential fury, and the strength of his gaze drew upon the incorruptible authority of the constitution and the power given to his office, and to him, by the people of the United States of Earth. Trencher had never been one to flinch before the anger of another man, but flinch he did. He flinched mightily and a sweat broke out upon his brow.

"Mr. Trencher," said President Ventman, with indignant scorn for the man who had come to rescue him. "That foul female Martian beast," he said, putting down his tea and resisting the impulse to pick up another pastry, "is my wife!"

The End

*It's fake. I made it all up.
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The Prince of Neptune Must Pay!

I'm not very happy with this one, but here 'tiz.

I liked the quirkiness of my first version of this painting in it's rough-hewn and incomplete state (below.) I took the head and torso of the woman from one of my freelance roughs and built around that on the fly.

I was pretending that I was working for one of the old pulps. The editors had just gotten a good story for the next issue, and they needed the cover ready today! So, I spent five or six hours painting it during the past week's minor allotment of free time. I spent a lot longer trying to come up with a design for the cover text and logo.

Never one to let a sleeping dog finish his nap, I decided to work this painting over while experimenting with an eye toward imitating some techniques I've seen in the work of other digital artists.

I'm fond of a few home-made photoshop brushes that give me a faux pastel quality, and I've been using them at work and for my recent personal projects, but I feel that I'm relying on them too much and I want to learn more.

So, recently I've noticed artists who make good use of the smearing tool, a method I have overlooked/avoided thus far. With real-world art-- analog, whatever we call it now-- I don't really care for the look of smeared art; where you take your finger, or a stump and push lead/charcoal/whatever around. As a young artists I did a lot of smearing because it was an easy way to get a cool and smooth gradation when I was drawing floating eyeballs on my folders in high school. After I passed through that stage I found that I felt better about my work when it didn't have those smeary-spots and the accompanying difference in texture from the rest of the work; and my fingers weren't so dirty all the time.

I've tried smearing stuff in photoshop in the past but I never cared for the look of it; it seems as obvious in digital art as it is in analogue. So I put that away and never even thought about using it. But now, I've learned, you can make and use brushes to smear stuff. Ah. Okay, now I see how you can use it. And the finger-painting tool is handy, too.

With this new information I created a flurry of brushes for painting and blending, and it has been a week and a half of tedious trial and error, of painting and repainting and I've gotten to the point where I'm sick of looking at this thing and I want it to end. So I'm ending it. All that work to finish something that ends up unfinished.

I came close to solving a style or two that I tried to imitate and although I didn't quite get what I wanted I think I am learning how to go about getting it. Not so great to look at but working on it has taught me a few things; now the trick is not forgetting those things before I get around to trying it again!

The end.

Rerun of a Rerun

Here is an update (with tweaks and type) of the previous post.

This kind of thing is a lot of fun for me. It takes me back to that time in my youth (early teens) when I would draw pictures and write stories to go with them, or vice versa. I remember making a magazine cover like this featuring some characters I'd made up after seeing "Star Wars" and "The Rescuers" within a few days of each other ("Future Mice!") and I wrote teaser text like the ones in this picture.

And then I was compelled to create something for each teaser. There was a many-page interview with the mice themselves, a blueprint of their spaceship, a few pages of a comic adventure and a ten (or so) page text story of their first encounter with their robot sidekick. This was done on typing paper and stapled together, with about 30 staples if I remember correctly. Then I stuffed it into a folder that housed all of my favorite artworks. A PeeChee folder, of course.

I don't know where that folder is, but I wouldn't be surprised to find it in mom's attic. How embarrassing THAT would be.

Now, here I am, blankety-blank years later and I have this great idea for "The Matadors of Venus." Oh! if only I had a three month summer vacation like when I was 12! I would have the coolest poorly-stapled faux magazine to show you.

Reruns Already?

In my very first post I put this painting up here in a rough state and during the monologue I forgot to say anything about it. It is just another attempt at a faux sci-fi book cover, this time a pulp magazine as opposed to a regular novel. This was just for fun and practice. I decided that I would get it to the point where I started fiddling with details and then I would quit. So, there it was, and there it is, in my very first post-- check the archive if you must.

Well, I've decided to push a little and see if I can find freelance work doing these types of paintings. I don't have much experience with working for anyone outside of the newspaper biz, but I'd like to broaden my horizons and do sci-fi and/or fantasy work. Or comics. Anything, really.

I had one freelance gig last year for a game and it was terrific! It paid pretty well and if I could do that all the time I'd be happy, but it's been hard with my newspaper schedule to find the time to do more freelance. However, I'm determined that this is the year I start doing art for fun and profit.

So, with this goal in mind, I put a bit of polish on this painting, as I will do with some others, beefing up my portfolio of cool stuff-- cool meaning work that doesn't look like my newspaper illustrations.

Let me know if you like what I'm doing, and, of course, any criticism would be greatly appreciated.