Those Crazy Kids

This illustration accompanied a story by Contra Costa Times writer Jackie Burrell about "sexting." Sexting is catching on with the teen and tween crowds and Jackie's story discusses this trend and some of the potential repurcussions. It's one of those sensitive topics that makes me flinch.

I don't mind sensitive topics. It's professionally satisfying to come up with (hopefully) tasteful ways of illustrating things that most people don't want to see illustrated. Sometimes though, the subject can seem too fraught with perils impolitic, or it is a topic that is a personal turn-off.

Well, when this assignment was pitched I tried to look like I hadn't been listening. Hm? What? Oh, yeah, well, I think... just a sec, I have to run out to my car. Etc.

I didn't have to squirm overmuch because Chuck Todd -- King of the Graphics Department and all around stand-up guy -- said that he had a few ideas for an illustration and would be happy to do it. Whew.

Time passed, I gave it no more thought. Not my assignment, not my problem. And then, one day, there was a workload siege. The department was attacked from all sides by brutish assignments and marauding chores. At the wrong time I slew a rogue project and paused to wipe my brow and clean my blade; for that briefest of moments it appeared I was not doing anything. So, Chuck Todd -- King of the Graphics Department and artful dodger -- turned to me and said "I have no time for this! Here! This is my idea! Quick, man! The deadline, she approaches with shredding claws and tearing teeth!" Or something like that.

I took a quick picture of his thumbnail with the iMac-cam
and made my drawing using Photoshop!

the end
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Surrounded By Cows

This is an illustration for a collection of stories from our readers about bad camping experiences. One of the readers' submissions told about sleeping out under the stars in a field, and upon awakening in the morning they found themselves surrounded by cows! I think that's a great title for an adventure story.


I'm not happy with the composition on this one. It's not well-designed and there are several awkward overlaps in there that flatten it out. Bleh.

As an excuse I offer there was not much time to work on this, although such simple illustrative concepts should be second nature by now. Ah, well. Here is the original quick sketch: (Don't blother clicking on it, it doesn't get any bigger...)


I doodled it quickly on paper and then held it up to the camera on the iMac, and then drew on top of that in Photoshop!

THE END!
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I'm back...

This is an editorial illustration that ran in Sunday's Contra Costa Times and several other MediaNews newspapers. Drawn in Photoshop!

The column -- by Brewster Kahle for the Washington Post -- considers the potential outcome and effects of an impending ruling in a lawsuit filed by authors and publishers against Google. Google has undertaken a book-scanning project that appears to be stomping all over the toes of copyright laws, and its possible they will make money off of some books and have total control over works that, by law, are not theirs. Google's really getting on my nerves lately.

This is my quick and simple concept for this illustration. My original idea for the "Google-key" was to replicate thier logo with one, long piece of iron bent into that shape. I had only a couple of hours to work on this so it was a compromise for completion. The drawing is alright, I guess-- I had fun drawing the book!

* * * * *

Sorry it's been so long since I've posted -- I hope someone is still out there looking at this once in a while. I've been exceptionally busy at work and pretty burned out by the time I get home; I'm really hating most of my "computer-time" lately. Hopefully, it's just a phase.

I have another silly little illustration to show (I'll probably blog that tomorrow) and I have a personal project in the works that I'm enjoying, so I think I can find some more enthusiasm and pick up the pace around these parts. Stay tuned.

The End
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Goofing Around

A loose doodle. I wanted to practice freestyle landscape Bob Ross style. No reference, that might be why it's not very good.

Well, I did look at a few pictures after it was almost done, searching for some clues on how improve it. I found a little bit of help and started to "fix" it, but I could be here all day doing that. Good 'nuff for the doodleblog.


The ENd

Bad Fan Art

I'm going to design the Preview cover at work next week-- that's the weekly entertainment/movie/TV tabloid. Cover story: that Wolverine movie. Not too sure what I'm going to do, but while I thought about it I doodled up a study referencing one of the promo photos.

I set out to do a quick study, pretending I was Frazetta, but I may have taken the rendering too far in places and it's starting to look a little too precious. I stopped before I made it worse.

It would be cool to do a faux movie poster along these lines, but there won't be time for that. I'm leaning toward not using this for the cover, because it doesn't really add anything to the original photo (and I'm embarrassed by that poorly done arm) but I thought it might be okay for show-and-tell here. I haven't painted anything in a long time, so it was fun.

I really want to put him in that brown and orange costume that John Byrne designed, mask and all; and then cover his arms, shoulders and chest with the copius body hair he had back in the day.

Hopefully, someday, they'll make a cgi X-Men movie with the characters designed to look exactly like the Byrne and Austin X-Men. The comic geek in me would think that would be ultimate super-hero movie bliss.

The End.
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Twitter 2

Here is an illustration for a Chuck Barney story; another contribution to the Twitter frenzy. In particular it is a story about celebrity twittery, which is a rather robust topic at the moment. Our story has been on the burner for well over a month but it hasn't made it into the mix until now, so it might not be as cutting edge as it could be but sometimes the crumbling of the cookie happens in this way.

I did another Twitter illustration last year (here) and I toyed with the idea of doing this one in the same style (a sort of cartoony cubism, if you don't feel like clicking the link), but it had been a challenging project. The amount of effort may not show in the final product but I took an improvisational approach to it and there was a lot of searching and erasing to do before I came to the happy end (I really enjoyed that one.)

When I found an afternoon to spend on this illustration I decided to do it in Illustrator. Why? I don't know, I don't really care much for Illustrator as a drawing tool. I haven't worked with it enough to be able to impose my will on it. I feel like I spend most of my time trying to figure out how to undo what I just did on accident; but I wanted to achieve the flavor of Twitter's design style and I decided that could be done more easily with vector art, and I had time to wrestle with it. So what the heck1

I kept it simple, mostly just circles and ovals. It took a while to create a bird that looked like a bird but once I got there it was pretty easy. It was just like moving little cutouts around on a table. I did several layouts and gave the page designer 3 or 4 options to work with. This is the one that made it.

I didn't have the word balloons around the photographs at first, so it kind of looked like the big bird was vomiting celebrity photographs onto the smaller birds. Not a totally inappropriate visual interpretation, but probably too obvious to be subtly funny.

In another display of obviousness, I turned the eye of the large bird to a star to set it apart as the celebrity, leaving the other birds with simple dots for eyes.  I remember reading something about a simple dot being used as a symbol for the common man. Was is Dostoyevsky? Nietzsche? I know that Woody Allen used that symbolism in "Crimes and Misdemeanors," but I forget where it originated. (A quick google didn't give me an easy answer-- that's all the research I'm up for at the moment.) Anyway, it works as a good incidental but probably unimportant use of symbolism, adding a deeper, pretentious layer of meaning to what seems, at first, a rather pedestrian composition. I'm reaching, I know.

So, here's the latest thing. It does not look like something that I would do, which I take as a sure sign I'm not in control of the tools I'm using.

The End.

Yawn. More Heads.

Here are a few more head doodles. I think I'm really digging on the top-left's hairstyle/beardstyle, so much so that I've drawn it twice now (see yesterday's post.) Maybe I'll hide the razor for a few months and see if I can get that look going in the real world. It'll be a big hit with all the cool kids, for sure!

I've had a very busy Jan-April, and although I've managed to throw a few little drawings and works up on this blog, I'm determined to do some work with a bit more meat to it. Heads are fun but they don't really do much, do they? I'll see about cranking out some full-figure stuff and maybe even some backgrounds. You know, real drawing-- not this weak doodleshtuff I've been tossing around. S'fun tho.

Pencil, brush and P-shop colors!

The End.
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More

Here are a few drawings scribbled in Illustrator and colored in Photoshop.

Crust Prevention

There is not much time for talk, as I am about to run off to work, but I had to throw something new up here. April has been very busy and I haven't found the time for drawing. I'm taking this moment to stir the stagnant waters of the puddle that is this blog, just to keep the crust from forming around the edges.

Here are a few heads. They're not very good. They're all I've got to show. More soon. I hope.

THE END

Surfing Thing

This is a graphic that ran in the San Mateo County Times last week. I worked with reporter Julia Scott (always a pleasure) who wrote the text and a related story. This is more of a narrative graphic than most I work on, and these are a lot of fun to put together. Newspaper graphics routinely require the utmost speed but it was held for a couple of days, giving me the opportunity for extra craftsmanship.

This isn't the final version-- there were a couple of tweaks and corrections to the text, as I understand it-- but this is the only copy I have with me right now. Close enough!

THE END
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